"THE BLACKER THE BERRY THE SWEETER THE JUICE/
I SAY THE DARKER THE FLESH,THEN THE DEEPER THE ROOTS!"
TUPAC SAYS

BLACK SKINNED BEAUTY SUPREME!

BLACK SKINNED BEAUTY SUPREME!

"BLACK IS BEAUTIFUL" -NEW YORK CITY STREET SAYING

"BLACK IS BEAUTIFUL!
BROWN IS HIP,
PUERTO RICAN IS OKAY
BUT white AIN'T S___T!"

BLACK SKINNED BEAUTY OOO!

BLACK SKINNED BEAUTY OOO!

BLACK SKINNED BEAUTY OOO!

BLACK SKINNED BEAUTY OOO!

BLACK SKINNED BEAUTY SUPREME

BLACK SKINNED BEAUTY SUPREME
BLACK SKINNED BEAUTY SUPREME!

BLACK SKINNED BEAUTY SUPREME

BLACK SKINNED BEAUTY SUPREME

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BLACK SKINNED BEAUTY

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WE MUST HAVE A BLACK STANDARD OF BEAUTY BASED ON THE BLACK SKINNED BLACKEST WOMAN
Showing posts with label blackpeople. Show all posts
Showing posts with label blackpeople. Show all posts

Tuesday, July 22, 2014

BLACK IDENTITY IS IN DANGER!-BLEACHING!-""YELLOW FEVER"SANG FELA ANIKULAPO-KUTI, OUR BLACK PROPHET!-HERE ARE THE LYRICS!T


Yellow Fever lyrics

Fela Kuti





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Yellow Fever Video:
Lyrics to Yellow Fever Different different fever na him dey
Different different fever na him dey
Different different fever na him dey
Different different fever na him dey

Malaria fever nko? (He dey!)
Jaundice fever nko? (He dey!)
Hay fever nko? (He dey!)
Influenza fever nko? (He dey!)
Inflation fever nko? (He dey!)
Freedom fever nko? (He dey!)
Yellow fever nko? (He dey!)

[Chorus]
Na him dey bring the matter now he dey!

Yellow fever nko? (He dey!)

[Chorus]
Na him dey bring the matter now he dey!

I say tell them make them hear (You say!)
All fever na sickness (You say!)
Original sickness (You say!)
Hay fever na sickness (You say!)
Original sickness (You say!)
Malaria na sickness (You say!)
Original sickness (You say!)
Jaundice na sickness (You say!)
Original sickness (You say!)
Influenza na sickness (You say!)
Original sickness (You say!)
Inflation na sickness (You say!)
Original sickness (You say!)
Freedom na sickness (You say!)
Original sickness (You say!)

Yellow fever nko? (You say!)

[Chorus]
Original and artificial he dey!

Yellow fever nko? (You say!)
One more...

[Chorus]
Original and artificial he dey!

Bom bom bom, tell me now...

Original catch you
Your eye go yellow
Your yansh go yellow
Your face go yellow
Your body go weak
I say but later if you no die inside
The yellow go fade away

Artificial catch you
You be man or woman
Na you go catch am yourself
Na your money go do am for you
You go yellow pass yellow
You go catch moustache for face
You go get your double colour
Your yansh go black like coal
You self go think say you dey fine
Who say you fine?

[Chorus]
Na lie, you no fine at all!
At all, na lie!

My sister, who say you fine?

[Chorus]
Na lie, you no fine at all!
At all, na lie!

Yellow fever

[Chorus]
You dey bleach, o you dey bleach!

You dey bleach, o you dey bleach
African mother
You dey bleach, o you dey bleach
Sissi wey dey go
Yellow fever
Stupid thing
Yeye thing
Fucking thing
Ugly thing
Yellow fever
You dey bleach, o you dey bleach
African mother
You dey bleach, o you dey bleach
Sissi wey dey go
Yellow fever

Now to the underground spiritual game
Underground where dey down for school
Over there for school, yes

Where dey go say: teacher
Oya!

[Chorus]
Teacher!

Who steal my bleaching?
My precious bleaching?
I buy am for shopping
For forty naira
How I go yellow?
How I go find out?
I go die o
I go die o
I go die o

According to complaint
Complaint must get answer
I beg please, help me help teacher
Oya, foolish
Oya!

[Chorus]
Foolish!

Who steal your bleaching?
Your precious bleaching?
You buy am for shopping
For forty naira
You self all yellow
How you go find out?
Your face go yellow
Your yansh go black
Your moustache go show
Your skin go scatter
You go die o
You go die o
You go die o
You go die o

[Chorus]
You dey bleach, o you dey bleach!

You dey bleach, o you dey bleach
African mother
You dey bleach, o you dey bleach
Sissi wey dey go
Yellow fever
Stupid thing
Yeye thing
Fucking thing
Ugly thing
Yellow fever
You dey bleach, o you dey bleach
African mother
You dey bleach, o you dey bleach
Sissi wey dey go
Yellow fever
[ These are Yellow Fever Lyrics on http://www.lyricsmania.com/ ]
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Monday, May 16, 2011

FELA ANIKULAPO-KUTI-THE GREAT NIGERIAN MUSICIAN WHO FOUGHT UNTIL DEATH FOR THE RIGHTS OF THE MASSES- COMES BACK ALIVE IN A BROADWAY AMERIKKKAN PRODUCTION BROUGHT HOME TO NIGERIA!



FELA'S MOTHER WHO WAS A FAMOUS WOMAN ACTIVIST WHO EVEN FORCED AN OBA(KING) TO STEP DOWN AFTER OVER TAXING  MARKET WOMEN!-FUNMILAYO RANSOME KUTI



FELA WITH HIS 22 WIVES!
http://www.guardian.co.uk/music/2011/may/15/taking-fela-kuti-home

Taking Fela Kuti home

Sahr Ngaujah has spent the last two years playing the great Afrobeat pioneer Fela Kuti on stage in New York and London. Last month he took the production back to Kuti's native Nigeria. Here, he describes the extraordinary and emotional trip
  • The Observer,
  • Article history
  • sahr-ngaujahStudy of the Music and Social Criticism of African Musician Fela Anikulapo-Kuti (Studies in the History and Interpretation of Music)
    Man on a mission ... Sahr Ngaujah on the beach near Lagos, Nigeria, in April. Photograph: Suki Dhanda for the Observer
    The air was humid and thick; a constant wind blew in from the sea, sponging up every sweat bead on our skin. A cacophony of sound permeated the air – revving and idling engines, okada motorcycle taxi horns, heavy bass lines and people talking loud. Posters bearing the faces of various smiling politicians were plastered on every inch of space.
    1. Fela!
    2. Sadler's Wells,
    3. London
    1. Starts 20 July
    2. Until 28 August
    3. Box office:
      0844 412 4300
    4. More details
    In New York and London, our task was to recreate Fela Kuti's world in the Nigeria of the 1970s, viewed from within his club, the Africa Shrine. Now we were entering Nigeria to bring Fela back to his own people, to recreate the Shrine of the 70s at a big theatre built by his children and called the New Africa Shrine. As our plane came over Lagos we were keenly aware that today was election day, the first round, with two weeks to go. We were arriving under curfew. It was a sunny day and as we looked out of our windows it was clear the curfew was taken seriously. All of the streets were clear, no movement save the military men at their posts at junctions throughout the city. We disembarked amid a flurry of security personnel, some private, some state, some local. We were ushered on to our buses, and with a full military escort we tore out of the airport and began barrelling down the empty expressway to Victoria Island. Welcome to Lagos! We had no idea what would await us in this infamous African metropolis, but we had a mission and a commitment to complete it. I first visited Nigeria in 2008, just after the off-Broadway production of Fela! closed. I was there for Felabration, a week-long festival that takes place every October to mark Fela's birthday. I spent my nights at the New Africa Shrine and my days visiting Fela's house, Kalakuta. I often wondered what sort of impact this type of experience would have on my colleagues after all the effort they'd put into showing other people the world of Fela. Now they were here. We were to play the New Africa Shrine and the Eko Hotel's conference centre, both holding 3,000. First we had to settle into our new environment and prepare to meet our first audience, the people of Fela's Shrine. In those early days my routine consisted of a lot of sleep to get over the jet lag, rehearsing my Yoruba pronunciations and running along the ocean in the Lekki district. Some of my colleagues were having their first experience of African markets and haggling, Nigerian style. At night we could be found recounting the day's adventures in the courtyard of the Eko Hotel, enjoying the open-air bar while paying Midtown Manhattan prices for our favourite drinks, always under the watchful eye of our no-nonsense security escorts. fela kuti Afrobeat king Fela Kuti. Photograph: Guardian Among the richest moments were the time we spent with Fela's family, with his children Femi, Yeni, Kunle and Seun, along with his siblings, cousins and wives. In 2008 one of Fela's sons, Kunle, described Fela being buried. He described the scene of thousands of people filling the streets and covering every rooftop in the area. Now here I was with all my colleagues, seeing Fela's grave. Then they opened the door of his room. His room had been sealed for years. There was his sax, his bed, hundreds of suits, there was everything. Kunle hadn't been in the room for 10 years. Seun hadn't been in for three. But they opened that room to let those people who had dedicated so much to keep his memory alive glimpse Fela, my beloved colleagues who had sacrificed so much of their bodies and their blood to bring Fela's world to life for thousands of people every night on 49th Street in New York. Days later I found myself filing off a bus to stand before the New Africa Shrine with those colleagues. As we crushed our way to the entrance we began to hear the sound that had become so familiar to us over the years through watching documentaries about our subject. We heard the voice of the people, calling for Fela, calling for the Kalakutans – the people of Fela's Kalakuta Republic, the compound where he lived and recorded with his family and his band. As we crossed the threshold of the shrine it seemed as if everyone in the place agreed on what the first utterance to us should be. From the front door to the stage door, all we heard greeting us was: "Welcome home." Indeed, we had arrived. We were humbled by the reception and had no idea of the measure of beauty awaiting us for the duration of our stay. Fela Kuti is an immense subject, a bottomless character. Bill T Jones, our director, would say: "Fela was a tornado of a man." When we first arrived people would say: "How can you bring Fela from America to Nigeria? Fela belongs to us." Before we left they told us: "Fela has come home." I don't think they were talking about us – they were talking about his spirit. We are holding these experiences in our hearts and can't wait to unleash them on those planning to join us for the adventure in London this summer. • Sahr witnessed landmark elections in Nigeria and wants you to help encourage the trend in the Democratic Republic of Congo (fallingwhistles.com/freeandfair). He wore clothes courtesy of Gozi, creative director of his new favourite brand, UMi-1 (gozi.co.uk). ******************************************************************************** http://geojane.wordpress.com/2011/04/11/nigerian-virginian/

    Fela Kuti

     Fela Anikulapo Kuti  October 15, 1938- August 2, 1997  Nigerian musician and composer, creator, singer, saxophonist, frontman, inventor, and pioneer of afrobeat music. How do you say his name, Fella or Fey-la? NOVA  Professor of History, Dr. Joeseph Windham, wise and worldly, pronounces Fela like the latter.  Whichever way you say it, his name stands for a powerful and humble man.  A paradox that translates in the music he creates. This is a photograph of Fela Kuti with some of the beautiful women he marries.  These particular women became victims of sexual brutalityBEFORE THEY MET FELA, thus cast out and dishonored in their communities.  Fela uses marriage as a means of protecting the women from discrimination.  He makes it clear that they are heroines, deserved of the utmost respect and honor.   Picture sourced from: http://www.kalamu.com fela 34.jpg 

Thursday, June 24, 2010

NIGERIAN LANGUAGES ARE DYING-THIS DAY NEWSPAPER,NIGERIA TELLS SOMEWAYS TO SAVE THEM!-JUNE 2010

geFROM allafrica.com




This Day (Lagos)

Nigeria: Saving the Local Languages

21 June 2010

editorial
Lagos — One of the strongest effects of western civilization is the gradual but steady erosion of the culture of the people, especially of former colonies. There is no where this has been demonstrated more than in the language of the people.
With western education came the fad of speaking the "whiteman's language". In Nigeria for instance, the ability to speak the English language was then, the most ready proof of "belonging" to a social class, high and above the local platform of those considered as mere natives. School children were then forbidden from speaking their local languages in the classroom. Offenders were punished for speaking vernacular. Over the years, this malaise has worsened.
Today, fewer and fewer people are able to speak, let alone write their native languages. If some indigenous languages have suffered poor orthographical development, that should not affect the ability to speak it. But modern day children, especially those in the urban centres now consider their mother tongue as a linguistic anathema.
This and other issues inform former Executive Secretary of National Universities Commission (NUC), Professor Munzali Jibril's warning that unless deliberate measures are taken to preserve and promote Nigerian languages, they stand the risk of going extinct. Already, some languages have "died", with nobody speaking them anymore.
According to Prof. Jibril, 45 per cent of the world's population speak only five languages: Chinese, English, Hindi, Spanish and Russian, just as the top 100 languages of the world are spoken by 95 per cent of the world's people. The remaining five per cent speak over 6,000 languages, with some languages having just about 100 or even less speakers. This, to say the least, is worrisome.
That Nigerian languages are dying is no longer news. The present generation of children are hardly able to understand or communicate in their mother tongues. The craze for the English Language has long become a kind of status symbol. This is even worse among the children of the elite and urban dwellers. Worse still, is the adoption of pidgin English in most cities as the unofficial lingua franca. The blame for this loss is largely on the parents, some of whom are also unable to speak their native languages, and so find it difficult to train their children in their native tongues. Left unchecked, what that means is that generation after generation in such family lineage will miss out on the mother tongue, with the grave and telling effect of a steady but gradual disconnect with the native language.
It is in a bid to rescue the languages from extinction that the Federal Ministry of Education introduced the policy of ensuring that at least, one or two major Nigerian languages are taught in schools. Almost two decades after, this has not quite improved the health of native languages. Prof Babatunde Fafunwa, former Education minister had also directed, at the time, that teachers should give instructions in native languages as a way of building and developing the local languages. But most of the languages are shallow and poorly developed. That has restricted their use as medium of instruction. Worse still, several words in the English Language have no exact equivalent in the native language. For example it may not be easy to find the Yoruba or Igbo equivalent of the word "Chlorine" or "mega watts"?

Relevant Links

But despite the challenges, Nigerian languages can be revived, at least in the spoken form, until more scholarly attention is devoted to their orthographical development. The place to kick-start this is at the home. Children in their early formative years have Tabula Rasa brain, literally meaning blank memory, on which parents must make initial linguistic imprints.
This is achievable even before the children attain school age. Conscious efforts must be made by parents to speak their native languages to their children, who in turn will grow to cherish the language and pass same on to their children, thereby sustaining the life of the languages. The regulated exposure of the children to Language lessons in the school is not enough to achieve the resuscitation of Nigerian languages. Parents must embrace the habit of speaking the local languages to the children. And the time is now.

An Index of Nigerian Languages








 








Twelve Nigerian languages: A handbook on their sound systems for teachers of English,


The Early Study of Nigerian Languages: Essays and Bibliographies (Modern Revivals in African Studies)

Higi phonology (Studies in Nigerian languages)

The development and preservation of Nigerian languages and cultures: The role of the local government. (Linguistics).: An article from: Studia Anglica ... international review of English Studies

The Early Studies of Nigerian Languages

APNILAC A Journal of Nigerian Languages and Culture Volume 1 (October 1997) Numbers 1 and 2















A preliminary study of Angas phonology (Studies in Nigerian languages)

Duka sentence, clause and phrase (Studies in Nigerian languages)

Nigerian languages and cultural development: Proceedings of the National Seminar on the Use of Local Languages for Cultural Development and Application, held at Durbar Hotel, Kaduna 22-24 June, 1981


Fundamentals of syntax and the study of Nigerian languages

A Vocabulary of primary science and mathematics in nine Nigerian languages

Nigerian languages yesterday, today, and tomorrow: Proceedings of the Twentieth Year Commemorative Symposium of the Centre for the Study of Nigerian Languages, Bayero University, Kano















Ten Nigerian tone systems (Language data : African series ; us.4)