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Wednesday, February 08, 2012

LYNCHING OF BLACK MEN- NIKKI GIOVANNI SAYS WE DON'T KNOW HOW MANY WERE LYNCHED (AND 2010 SAW ANOTHER BLACK MAN LYNCHED!)-IN HER BLACK HISTORY MONTH SPEECH!

ABS brings famous poet on campus

Email: hthayer@smu.edu
Published: Sunday, February 5, 2012
Updated: Sunday, February 5, 2012 22:02
black history
Richard Braxton, www.anvilphoto.com
Nikki Giovanni spoke to a packed house in Hughes-Trigg theater last Friday. Giovanni was the first in a series of speakers set for Black History Month.
World-renowned poet Nikki Giovanni gave a speech in the Hughes-Trigg Theater Friday night in support of Southern Methodist University's kickoff to Black History Month. The theme this year is "Raising the Bar" in which the Association of Black
Students will have numerous programs to educate people about the history of African American culture.
In front of a full auditorium, junior SMU student A'Rielle Gatlin said, "I'm excited to embark on this month-long journey in celebration of our rich history."
Black History Month began as National Negro History Week in 1926, and 50 years later, President Ford officially recognized Black History Month. This was a way for the nation to honor the history of Black Americans.
Poet Nikki Giovanni, 68, is a university distinguished professor at Virginia Tech University. She has reached many audiences around the world through her powerful speeches and has written poetry to her late friends Rosa Parks and Martin Luther King Jr.
On Dec. 1, Nikki Giovanni walked around the campus of Virginia Tech saying, "Happy Rosa Parks Day!"
She said students would turn to her saying they didn't know it was Rosa Parks Day.
And she said, "It's not, that's just how you get it started."
Through the laughter and shouts from the packed crowd in Hughes-Trigg, Giovanni, who was barely bigger than the stand she stood behind, spoke from her heart about what Black History Month means to her. She explained her magnificent relationship with Rosa Parks and how it evolved her into a strong, independent woman.
"No one can tell me how to feel about things, I make my own decisions," Giovanni said.
This is a reminder as to how Rosa Parks was an example of the first sit-in, standing up for her rights, starting a revolution.
Giovanni brought up points about how inequality is still prevalent in our society today and stated that America needs to grow up and give black men the credit they deserve. The bad history that follows them allows the speculation that there is no exact number as to how many African-American men have been murdered from lynching, stoning etc.
While watching the winter X Games in Aspen late one night, Giovanni questioned why she wasn't watching breakdancing or double Dutch.
"Why is no one filming that? Why do they not get the same opportunities just because they cannot pay for Aspen?" Giovanni said.
Although all these scenarios still go on, Nikki Giovanni still believes that life is about being happy.
She says she is one of the happiest people she knows, and she hopes that everyone can still feel love for one another.
Multiple standing ovations were given towards the end as Giovanni answered questions from the crowd and was given a T-shirt and plaque from the Association of Black Students.
While waiting to get a picture and autograph from Giovanni, Kelley Butler, 39, said, "She is an amazingly, vibrant speaker who has the dynamic ability to be in tune with the culture of every generation in the room."
Butler, who is part of the black leadership forum from Prudential Mortgage Capital Company, got a group of her colleagues to come with her to the speech.
They all agreed that the most important aspect of Giovanni's
speech was how no one can tell her how to feel, touching so many people in the room at that moment.
Black History Month at SMU has many programs coming up and some that span throughout the entire month.

Monday, February 06, 2012

VIOLA DAVIS - BLACK SKINNED BEAUTY- IS SET TO WIN AN OSCAR-GOES NATURAL!



⁠

Viola Davis Goes Natural For "LA TIMES" Magazine & Talks To Andre Leon Talley For VOGUE

Feb 05 | by _YBF



Academy Award front-runner Viola Davis covers the February 2012 issue of LA TIMES Magazine with a photoshoot that shows a drastically different side of the actress.  See the pics inside and get highlights of the interview she did with Andre Leon Talley for "ET."





The Help star Viola Davis, pictured directly above in a Jason Wu sculpted dress and a Costume National fox fur poncho, has pretty much cleaned up at all the shows for awards season, so it's only natural that she is expected to win this year's Oscar for Best Actress. 

In the latest issue of LA TIMES Magazine, the actress rocked a photoshoot that highlighted her gorgeous features.  She looks fab!



In a Theirry Mugler lace with velvet trim suit



In a Marchesa long sleeved lace and high neck dress with organza flower detail

Here's a few of the highlights:

On liking characters that are underrated, slow burners: "Human life is about a culmination of moments, and 99 percent of those are quiet but powerful. I am always interested and intrigued with watching that."

On nurturing her craft from a young age: "Even back when I was 11, I knew that Isabel Sanford from The Jeffersons came from the stage. I never watched the Oscars, but I watched the Tonys every year. I wanted to be onstage. I wanted to be like Colleen Dewhurst or Jane Alexander—one of those great ladies of the theater, doing Ibsen and Shakespeare."

On the need for young people to be mentored to aspire to something fulfilling: "I am doing this out of necessity. If I am not the instrument of change, I can meander through this business and be the black woman who always has two or three scenes but with fabulous actors around me."

  

And in other Viola news....



She recently talked to Vogue Contributing Editor Andre Leon Talley for an upcoming issue.  And a part of his chat aired on "Entertainment Tonight".  Here are the highlights:

On using real-life experience to draw on for her role in the The Help.

"I have stories of being spit on.  You have to realize I was in a predominantly white culture ... And third grade was the worst because every day after school I would wait at the door and the bell would ring. And as soon as the bell rang I ran as fast as I could from the front door to my house, which was at least a mile away, because I would have eight to nine boys with sticks, bricks, anything they could find, who were ready to kill me."

On what her mother told her about bullying

"She said, 'Viola, I want you to take my crochet and needle and you put it in your pocket and if they stop you again you tell them you're gonna [stab] 'em.'"

On how her life defined her career

"Having it hard made me build so much character ... You have to actually say, 'Is the world going to define me or am I going to define myself.'"

9ICE LOVES YORUBA LANGUAGE AND USES IT IN HIS SONGS AND SPEAKS YORUBA TO HIS CHILDREN AND WEARS YORUBA CLOTHES OFTEN--UNUSUAL FOR A NIGERIAN HIP HOP ACT!- FROM THE NATION NEWSPAPER,NIGERIA,FEB. 2012 INTERVIEW

FROM THE NATION NEWSPAPER,NIGERIA,FEB. 5,2012               

 

Day fellow man kissed me for five minutes —9ice

By

Abolore Adegbola Akande attained nation-wide acclaim in 2009 with the release of his hit single, Gongo Aso. Hitting the top came with its storm. 9ice, as his alias goes, talks to OVWE MEDEME on his career as a singer and of other issues.

YOUR current album is a double; what inspired this idea of yours?
The first half album entitled Versus, is my own way of trying to bridge the gap between having a mix tape where they put my vocals alongside that of other artistes. It doesn't sound right, but people still buy them. I am doing that for all my fans who want to hear me sing alongside other artistes like P Square, Timaya, Wizkid, Tiwa Savage and the likes. The other half, Bashorun Gaa is another album entirely that talks about me and the stake that I hold in the industry.
Do you think releasing multiple albums within a year tallies with what the hip hop culture represents?
I don't even think we have anything like the hip-hop culture in Nigeria. What we have is Afro hip-hop. Hip-hop as it is varies from country to country. When we say hip hop culture in Nigeria, it is either you are rapping or you are singing which is quite different from the native music that we have in Nigeria. What we are doing here is afro hip hop which carries our own culture. 
What does Bashorun Gaa connote?
Bashorun Gaa was a historical warlord in the Oyo Empire in the 13th century. And I am saying that I am a warlord in the music industry and I have a stake in the industry which lies in my use of the Yoruba language and people will forever like me for that.
What informed the choice of artistes for the Versus album?
I worked with Timaya because though he has a stake in Lagos, he is bigger in Port Harcourt and the eastern part of Nigeria. I used 80% of Yoruba in my music and if I want to get across to those from the East, the best thing for me to do is a song with one of their own. Through that, I can get into their hearts. It is a strategy. I just want to make sure that the album is accepted nationwide. 
How true is it that you have a feud with your friends from Akoka, especially given their absence at your birthday celebration recently?
There was never a point in time where I had any quarrel with Cabassa. Cabasa stays in Akoka; Ajasa stays in Ikorodu, some other members of Coded Tunes (his record label) stay elsewhere. Some are even out of the country. So, you can't expect the same connectivity or association that existed then to exist now. I wasn't a family man then, now I am a family man. Cabasa wasn't married then, now he is married. He didn't have any project he was doing then, but now he has a project he is doing. He is signing on artistes and he is working well. Now we have different challenges and we have different dreams and aspirations. We established Coded Tunes because we were all together then and we lived in the same vicinity. Then we didn't have money. What we had was the talent, and so collectively, we promoted ourselves as one. Today, individually, everybody is doing well. That is why people think we are quarreling now. There is nothing like that.
But in your first and second albums, you had all the input of Cabasa. Why is the case different with this one?
That was never the case. If you get my first album, you will see that I used Puffy T and about four other producers. In my second album, I used about four producers also. The only thing is that Cabasa produces most of them. Out of about 15 songs, he produced up to 10 of them. 
How much of his influence is on these albums?
He produced about two songs in the album
How would you react to the insinuations that your popularity began to wane when you stopped working with Cabasa?
I am someone that is not affected by what other people say. What affects me is what I do. If it is going to affect this album, then maybe someone should grab a copy and listen to it to know whether the songs cannot fly because Cabasa's influence is not on it. Then if you tell me now that the songs are not pure, I will go back and redo all the songs with Cabasa so that they will become hits. We need to give upcoming producers a chance too. In the past, we had about four major producers. Today, we have about 5000 producers. 
How much of a family man are you?
When I say I am a family man, you should know what I am talking about. I pay school fees, I take my kids out. I know what they are feeling. If their legs ache, I will be there for them. That makes me a family man. They give me another reason to stay on earth. 
Don't you think it goes beyond catering for your kids?
Tell me the other things it involves. 
Living as a family for instance
That is not what it all entails. The essence of having a family is to raise children; so with or without a woman being there, you have a family. Whether you are divorced or separated, you are still a family. I am from a broken home, but here I am standing with you today. We have people that grew up with their parents together but they are nobody. It is not about a woman being in the house, you have to be responsible. Being there for your family is being responsible. 
Sometime last year, you had a brush with Ruggedman; did you have to take it as far as releasing the song Talk I Am Listening?
If you had asked me that question two months ago, I would have answered but now, I am beyond that. You all know what happened. If someone abuses you or slaps you, maybe if you are Jesus you will not reply. We are all different?
In that case are you saying we should expect a reply from Chinaydu who came out to sing some nasty things about you?
No comments.
What is your relationship with Ruggedman as it is?
I am sure he is doing well where he is. 
As an established artiste, what challenges do you face?
I can't do all I used to do. I can't go to places I normally went before. Besides, people now expect more from me. Now, the industry is becoming more challenging. Before, we made money from shows, now the trend is changing. Money comes more from record sales these days. So a whole lot of things are changing. My kind of music might not be played on radio but it sells on the streets. 
How would you describe your style of music?
I call it one fusion because it has elements of different kinds of music in Nigeria but people tend to mistake my music for Fuji. If they call me a Fuji artiste, I am happy. There is no Fuji artiste that has not made it, so I'm happy because it is my language. At least people of all tribes are buying my records. I was once a Fuji artiste, I was once a hip-hop artiste, I was once a Juju artiste. I have Fuji and Juju background. I am someone that loves music generally and music to me goes beyond the language you sing with. It is spiritual. If you sing in Hausa and the rhythm touches me, I will so love it. 
It is said that you were raised by your step mother. When she listens to your music, how does she feel?
She feels very happy. One important lesson I learnt from her is that no matter where we are, we should teach our children our language. English is not our language; we should be ashamed to use it as a major form of expression. We are supposed to be conducting this interview in our indigenous language. 
With that belief and in a multicultural state like Nigeria, how do you hope to communicate with other tribes?
My fans are spread across all tribes and culture. That means I am communicating. Some of them, through me, started learning the Yoruba language. Nigeria is a diverse country but we cannot run away from each other. Through music we can learn other languages. That is the beauty of it. 
Have you ever been embarrassed by fame?
Fame has embarrassed me so many times. A guy held on to my head one day and kissed me for five minutes. He is not gay but he said he loves me. That is insane. There was nothing I could do about it. Fame brings about so many things. There is the joy part of it. 
What are your plans for the year?
This year, we intend shooting about 30 videos from the 35 songs that we released into the market just to promote the album. From this point, we will be doing double albums every two years, instead of one album every year. My next album release will be in 2013 and it will be another double album.

Saturday, February 04, 2012

DON CORNELIUS -GREAT BLACK PRODUCER HAS GONE TO MEET HIS AFRICAN ANCESTORS ! -From VOICE OF AMERICA

African American TV Pioneer Exposed Audiences to Black Culture




Many Americans are recalling an icon in the entertainment industry following the death of longtime African American TV producer and music show host Don Cornelius. The 75-year-old Cornelius, who had been in declining heath for years, died Wednesday, February 1 from an apparent self-inflicted gunshot wound. The television pioneer had an amazing career and incredible impact on the music world.

"I had a burning desire to see black people presented on television in a positive light," said Cornelius.

Cornelius created Soul Train in 1970, with just $400. He hosted the hugely popular music and dance show for more than two decades. It was must-see TV for the latest fashion trends, innovative dance moves and black music hits.

Ralph Herndon is a pianist with the Choral Arts Society of Washington. He has fond memories of the show.

"Soul Train was like having a party at your house every Saturday. Something that our black youth had to look forward to, something they could identify with," said Herndon.

Soul Train helped to propel the musical careers of giants such as Michael Jackson, James Brown, Aretha Franklin and Marvin Gaye. The weekly show was the first TV program specifically geared towards African Americans.

By the time it went off the air in 2003 Soul Train had become one of the longest-running syndicated shows in U.S. television history. Cornelius hosted the show until 1993. Herndon said the TV icon helped so many recording artists.

"We probably would not have come this far had it not been for Don Cornelius and Soul Train being a catapult for a lot of black artists," said Herndon.

Other Soul Train fans agree and say Cornelius introduced the music of black Americans to the world, and to their fellow Americans.

"I'm Don Cornelius and as always in parting, we wish you love, peace and soul."

http://www.spirituality.com/sentinel/article.jhtml;jsessionid=GYY3W2OBKJ5ZXKGL4LYCFEQ?ElementId=/repositories/shcomarticle/Jan2012/1326813447.xml&ElementName=Injured%20foot%20healed

http://www.spirituality.com/sentinel/article.jhtml;jsessionid=GYY3W2OBKJ5ZXKGL4LYCFEQ?ElementId=/repositories/shcomarticle/Jan2012/1326813447.xml&ElementName=Injured%20foot%20healed

Friday, February 03, 2012

Gabourey Sidibe-OUR BLACK SKINNED does it again! Breaking that skinny/no shape/no color/white/girl/glass/ceiling AGAIN!

The Big C': Gabourey Sidibe becomes series regular

Published Friday, Feb 3 2012, 17:16 GMT | By Catriona Wightman |
.

Sidibe has appeared in the show since the first season as Andrea, who strikes up a friendship with her teacher Cathy (Laura Linney).

She will now become a main cast member in the third season, TV Line reports.

Sidibe was previously nominated for an Oscar for her role in the movie Precious and also recently appeared in the film Tower Heist.

News of her promotion comes shortly after Showtime announced that Susan Sarandon has landed a major role in the show. Victor Garber has already signed up for a guest spot.

The third season of The Big C will return to Showtime on April 8. The second season is currently airing in the UK on Thursdays at 10pm on More4.



More: Gabourey Sidibe, Laura Linney, Susan Sarandon, Victor Garber, US TV

Wednesday, February 01, 2012

Back To Woolly NATURAL BLACK PEOPLE'S HAIR -THE MOST Beautiful Hair on the PLANET! -This. Sister cuts it all off and gets BACK To Wearing her hair NATURAL!

Stylist advocates for return to natural black hair styles, with a big chop first
By Lolly Bowean 

Updated: February 01, 2012 - 3:01 am
Chicago Tribune
CHICAGO â€" On the cold, winter night that Sharon Coleman shaved off all her hair, she sat surrounded by other African-American women who were grinning and applauding as the clippers hummed.
And when every strand of her shoulder-length, straight hair was on the floor, Coleman stood from her seat, and fell into the arms of the women circled around her. The room was filled with strangers who had come to witness the new hair ritual, show support and find courage to do the same, Coleman said.
â€Å“All the women just embraced me and were very encouraging,â€� she said as she recalled the event. â€Å“Everyone was complimenting me: ‘I like the way you look. I love your hair.’â€�
For African-American women, hair is often a battle ground for how beauty is defined. For one group of black women, shaving their hair to a close-cropped, boyish style has become a way of empowering themselves, rejecting mainstream standards of beauty and shedding their obsession with extensive, daily hair rituals.
Earlier this month, Emon Fowler launched her Chicago-based â€Å“Harriet Experiment,â€� in which she is asking black women to abandon weaves, wigs and chemical relaxers and spend a new year with new hair. She wants the women to start with the â€Å“big chop,â€� in which they shave off their processed hair completely and start anew.
Fowler, 30, has organized gatherings to take place throughout the year for women to cut their hair while surrounded by cheerleaders who have done the same. She has been recruiting women on Facebook, stopping them in grocery stores and making appearances at fairs and festivals to promote her cause.
â€Å“This is all about breaking free from that hair bondage,â€� said Fowler, a hair stylist. She says her project isn’t about building a clientele, but changing mind-sets. â€Å“When a woman decides to cut all her hair, she discovers something underneath that is liberating. It can be therapeutic because you have to let go of the idea that you need these superficial extras to feel beautiful. It says, ‘I’ve accepted me.’â€�
Fowler said she was inspired to start her movement after reflecting on the life of Harriet Tubman, the iconic hero who risked her life to free hundreds of slaves. She sees her mission as helping to free African-American women from the emotional and psychological baggage associated with their hair.
There are varying opinions in the black community about the meaning of straight hair, but some think it̢۪s an attempt to imitate the white standard of beauty. Fowler said she wants to reinforce to African-American women that they don̢۪t have to change their hair to feel pretty or accepted.
For African-American women, shaving off all their hair is nothing new. In the 1970s, thousands of black women wore their hair short and close-cropped as a symbol of racial pride and consciousness, said Lanita Jacobs, an associate professor of anthropology at the University of Southern California.
But in Fowler̢۪s project, the women who decide to undergo the big chop do it publicly, and with a built-in support system of cheerleaders, Jacobs said.
That support can help ease what can be a shock to black women̢۪s psyche, one expert said.
â€Å“Black women have been conditioned to believe that our hair, in its natural state, is not beautiful, not professional and not manageable,â€� said Chris-Tia Donaldson, a Chicago-based author who wrote a book about the topic. â€Å“When you go to hair that is short, it can take a toll on your self-esteem. You have to learn how to work it and own it.â€�
There is a growing trend toward wearing hair more naturally, which some believe means a change in the definition of what beauty is for the next generation of African-Americans, Jacobs said.
â€Å“There has been a radical shift in black people’s minds on what can be beautiful,â€� she said. â€Å“Increasingly, black men are making room for non-straightened and non-long hair as a qualifier for beauty. More African-American celebrities are experimenting with natural hair.
â€Å“What black women do with their hair has always created questions: Who are you? Who are you trying to be? What does this mean?â€�
(EDITORS: STORY CAN END HERE)
(EDITORS: BEGIN OPTIONAL TRIM)
When any woman shaves her hair close to the scalp, it can unearth feelings of vulnerability, said Jacobs. For those African-American women who have straightened their hair for much of their lives, it can be particularly stirring.
â€Å“You are in some cases stepping away from something that you know and into new, unknown territory,â€� Jacobs said. â€Å“When you do the big chop, people come up and ask questions. It can complicate your appeal to the opposite sex, it can complicate your job searching endeavors, it can complicate your family relationships. Your family may ask, who are you?â€�
Because her hero, Harriet Tubman freed an estimated 700 slaves, Fowler has an ambitious mission to find 700 black women willing to undergo the big chop this year, she said. So far, she̢۪s only gotten a couple dozen to join her on the journey. But her project isn̢۪t just about numbers, she said. It̢۪s about making a statement.
(END OPTIONAL TRIM)
The project actually comes at a time when more African-American women are abandoning the mainstream weaves and relaxers and making peace with their natural textures, statistics show.
The number of black women who said they do not use chemicals to straighten their hair jumped to 36 percent in 2011 from 25 percent in 2010, according to a report by Mintel, a consumer spending and market research firm. Sales of hair relaxer boxed kits dropped 17 percent between 2006 and 2011, Mintel̢۪s report showed.
In addition, there has been a recent flood of blogs, websites, meet-up groups and YouTube video postings devoted to demonstrating to women how to transition to natural textures and how to style their new hair, Donaldson said.
(EDITORS: BEGIN OPTIONAL TRIM)
Antinique Bearden-Nunes said she̢۪d been thinking about leaving her straight hair behind for a year, but she was afraid of how she would look. When she saw other women at Fowler̢۪s launch celebrating the cut, she stepped up to do the same.
â€Å“I feel like I can do anything now,â€� said Bearden-Nunes, 24, who was still giddy about her haircut days after it was done. â€Å“I finally can care less about what others think. I have three young children, and I can’t let them see any shadow of low self-esteem.â€�
Bearden-Nunes said she̢۪s been so pleased with her decision that she̢۪s been oblivious to the reaction of her friends and strangers on the street. Her fiance wasn̢۪t at all thrilled when she came home with less than an inch of hair.
â€Å“I told him, ‘I’m still me, I’m still beautiful,’â€� she said.
(END OPTIONAL TRIM)
After years of contemplating the bold step, Coleman, 55, decided that she would cut all of her processed hair off. For Coleman, it was a break away from what she called an unhealthy obsession and lifestyle.
â€Å“I’ve had chemicals in my hair since I was 14 or 15 years old,â€� she said. â€Å“It was like a vicious cycle. I was using chemicals monthly to get a touch up or a perm. I had to blow my hair out, use the curling iron. I’ve gone through so much over the last three years with hair pieces and wigs and such. I’m done with it.â€�
The day she arrived at work with her short cropped cut, Coleman said she noticed some of her colleagues paused and looked at her. Her manager, in particular, smiled and celebrated her new look.
But some of her friends have been less enthused when they see her hair, Coleman said. Some shake their heads and say they would have never done it.
â€Å“When you make a drastic change of this nature, you have to own it and thatâ™m doing. I walk with confidence, she saidThis is the new me!

Tuesday, January 31, 2012

PETE O'NEAL-Exiled BLACK PANTHER Finds FREEDOM in Africa!-JOIN HIM BLACK MAN and BACK HOME TO THE MOTHERLAND!

Former Black Panther patches together purpose in Africa exile



In America, Pete O'Neal was an angry man, an ex-con who found a kind of religion in 1960s black nationalism. In a Tanzania village, he's been a champion of children.
Many of the young orphans gather round to watch, and lend their support, as Pete O'Neal has fresh ink applied to his fading black panther tattoo. (Barbara Davidson / Los Angeles Times)
By Christopher Goffard, Los Angeles Times
January 29, 2012
Reporting from Imbaseni, Tanzania -- The fugitive shuffles to his computer and begins typing out his will. He is about to turn 71, and it is time. "My life," he writes, "has been a wild and wicked ride...."
All Pete O'Neal has amassed fits on two pages: A small brick home with a sheet-metal roof. A few road-beaten vehicles. A cluster of bunkhouses and classrooms he spent decades building, brick by scavenged brick, near the slopes of Mt. Meru's volcanic cone.  Everything will go to his wife of 42 years, Charlotte, and to a few trusted workers.
He prints out the will late one Saturday morning and settles into his reclining chair to check the spelling. He signs his name. Then, to guarantee its authenticity, he finds an ink pad, rolls his thumb across it, and affixes his thumbprint to the bottom of the page.
"I think that'll do it," he says.
Map: Imbaseni, Tanzania

Photos: A former Black Panther in Africa exile champions kids
When last he walked America's streets, O'Neal was a magnetic young man possessed of bottomless anger. He was an ex-con who'd found a kind of religion in late-'60s black nationalism, a vain, violent street hustler reborn in a Black Panther uniform of dark sunglasses, beret and leather jacket. With pitiless, knife-sharp diction, he spoke of sending police to their graves.
This morning, he sits in his living room uncapping medicine bottles. A pill for high blood pressure. Another for the pain in his back and his bad knee. An aspirin to thin his blood. Time is catching him, like the lions that pursue him implacably through his nightmares, their leashes held by policemen.
He pushes through his screen door into the brisk morning air. A slightly stooped, thickset man with long, graying dreadlocks, he moves unsteadily down the irregular stone steps he built into the sloping dirt. He makes his way past the enormous avocado tree, past the horse barn with its single slow-footed tenant, Bullet, past the shaded dining pavilion.
His four-acre compound bustles with visitors, many of them preparing for a memorial service for Geronimo Pratt, a former Panther who died in his farmhouse down the road, his affairs untidy, his will unfinished, his death a sharp message to O'Neal not to put off the paperwork any longer.
Most of O'Neal's big dreams have faded over the years, or come to feel silly. Like beating the 42-year-old federal gun charges that caused him to flee the United States. Like the global socialist revolution that he was supposed to help lead. Like returning home to the streets of his Midwestern childhood. Like winning citizenship in his adopted African country, and the prize that's eluded him on two continents: the feeling of belonging somewhere.
This is what's left: the shell of a 20-year-old Toyota Coaster bus that bulks before him in a clearing. It's a stripped-and-gutted 29-seater that he bought for $11,500 after years of squirreling away money. It came with dents, a cracked windshield, a peeling paint job, rotting floorboards, frayed seats.
Still, it seemed like a good deal until he found the engine had to be replaced, costing an additional $4,000. He's hired mechanics and craftsmen to rebuild the bus nearly from the chassis up, and a few of them are milling around now, informing him in Swahili of their progress.
He rarely leaves home anymore. Crowds jangle his nerves; traffic makes his hands shake. Yet nothing feels more urgent than readying this bus for an improbable 300-mile trip to the edge of his adopted continent.
A group of American high school students, mostly white, is gathering in the dining pavilion. They've been coming by the busload for years, many drawn by the intrigue of staying with a former Panther. They pay him $30 a night for a bunk. The money — together with sporadic donations from sympathetic friends here and abroad — pays the bills.
Pete O'Neal in his Black Panther days. (Barbara Davidson / Los Angeles Times)
The students pause before the big poster featuring O'Neal as a fierce young militant, rifle in arms, Charlotte at his side. It's hard to reconcile that image with the grandfatherly host who greets them in Swahili as if they were old friends, booming, "Karibu!" Welcome!
He asks where they're from. A girl says Missouri, which happens to be his home state, and he hugs her theatrically. Everyone laughs. "All of you are welcome," he says, "even if you're from strange places."
He plants them before documentary footage about his life. It's easier than explaining the whole story himself. Where would he start? His childhood in segregated Kansas City, Mo., where the amusement park admitted black kids once a year, a day so cherished that they went in their Sunday best? Should he start with the stabbings and shootings in the projects where he grew up?
"I lived in the streets," he says. "I didn't have time to be happy."
After one arrest, he was given a stark choice: reform school or the armed services. The Navy threw him out after he plunged a butcher knife into another sailor's chest over an insult, nearly killing him. He drifted in and out of lockup. He pimped girls in three states. He wore $300 Italian suits and a blond wave in his processed hair.
To the FBI, the Panthers were homegrown terrorists who romanticized lawbreaking with overheated Marxist rhetoric. To O'Neal, who founded the Kansas City chapter of the party in early 1969, it represented a lifeline out of an abyss of drugs and aimlessness. He blazed with purpose: End racism and class inequality, fast.
"I would like very much to shoot my way into the House of Representatives," he declared in a televised interview, angry at a congressman who was investigating the Panthers. Pressed to clarify, he added: "I mean it literally."
He stormed into a Senate subcommittee hearing in Washington, screaming accusations that the Kansas City police chief was funneling weapons to white supremacist groups.
Shortly afterward, a federal judge sentenced him to a four-year prison term on a conviction of transporting a shotgun across state lines. Out on bail, he decided to run. He and Charlotte fled in 1970 to Sweden, then to Algeria, and finally, in late 1972, to Tanzania, whose socialist government welcomed left-wing militants.
The O'Neals had $700. After a few years they bought a patch of inhospitable brush and volcanic rock in Imbaseni, a cobra-infested village of thatched-roof shacks in the country's remote northern interior. They were up before dawn, dancing with Al Jarreau on the tape deck, gathering locals for the day's work. Their two young African-born children, Malcolm and Stormy, carried bricks and water buckets.
Soon they had four walls, a roof, and little else. Plastic hung over the windows. No toilets
Soon they had four walls, a roof, and little else. Plastic hung over the windows. No toilets. It was the back-to-Africa experience so many black Americans talked about, minus the option of escape. They learned to grow corn and raise chickens. He jarred pickle relish, smoked sausages and bottled barbecue sauce for sale to local shops.
His temper was thunderous. When he heard something in Swahili that sounded offensive — such as wa-negro, a neutral description of black Americans implying no malice — he would scream, ready to fight.
"We were cowboys then," says Ikaweba Bunting, 63, a Compton-raised college professor who arrived in Tanzania in the 1970s and stayed for years. "We were big and hard-walking and hard-talking, and ready to beat people up — the whole street culture."
Exile was supposed to be temporary. O'Neal corresponded with other Panthers and planned to return home to help lead the revolution. He watched from abroad as the party collapsed from infighting, arrests and an FBI campaign of surveillance and sabotage. People stopped talking about revolution. Radicals found new lives.
O'Neal's exile became permanent. His fury abated. Some of it was age. Some of it was Tanzania, where strangers always materialized to push your Land Rover out of the mud, and where conflicts were resolved in community meetings in which everyone got to speak, interminably.
"It is so laid back, so reasonable, that to be otherwise makes you look, even to yourself, like a damn fool," O'Neal says.
Around that first crude brick structure, the fugitive improvised a little island of hope. He built a small recording studio for musicians and a workshop for artists. He gathered castoff computers and invited locals to come learn. He sank a well and opened the spigot to the village. It was, as he saw it, in the spirit of the free breakfast program he'd run as a Panther.
"He's had a chance to grow in a way that very few people get here," says his brother Brian O'Neal, 58, who lives in Kansas City.
Had he stayed in the States, Pete O'Neal believes, he'd be long dead from a shootout or street fight.
If exile saved him, it has also meant a life in which the sense of being a stranger never goes away.
"There's always a feeling of not being completely part of this culture. I know I am of a different tribe," he says. "People like me here, they love me, but I'm always other than."
Back in his house, he relaxes with a few shots of Jim Beam. He keeps a shotgun for snakes and a wall full of books. In mock-stentorian tones, he ridicules his early blood-soaked rhetoric. He puts a hand over his face, like an actor reminded of an embarrassing role, and says, "That was a man who was trying to find himself. He was trying to shed his skin, and emerge brand-new. I think he overstated and overacted."
For his radicalism itself, however, he won't apologize, even if — as he suspects — it is the one thing that might gain him safe entry back into the States.
"They will never convince me in my life," he says, "that what I was doing wasn't right."
All the orphans get a razored haircut -- both boys and girls -- and wash off the loose stubble under cold water at the tap. (Barbara Davidson / Los Angeles Times)
A few years back, an ambition seized him. The village had scores of destitute children, orphans from dirt-floor shacks and subsistence farms. He collected donations and built a concrete-block bunkhouse down near his tomato and pepper garden.
He spread word that he had room for a few kids. More than 100 appeared at his door, many shoeless. He had to send the majority away. The most desperate, a couple dozen, he informally adopted.
Now, they roam his grounds in lively packs, playing four square on the basketball court. They sleep in rows under malaria nets. Volunteers and a few staff members watch over the children and give them English and computer classes.
They call him Babu. Grandfather.
How big is the ocean?
So big you can't see across it.
Really?
So big you can go for weeks and never see land.
He shows them a globe.
See how much more ocean there is than land?
So is it bigger than Tanzania?
American high school students gather around Pete O'Neal in his compound's dining pavilion. (Barbara Davidson / Los Angeles Times)
The American high school students have questions, so he takes a seat before them. It's late, and he's weary, but this is his living. They want to know what country he belongs to, exactly.
He has no passport, he explains, and the Tanzanian government has rebuffed his efforts to become a citizen. "I'm not sure where the hell I belong at this particular point," he tells the students.
For years, he sought a way home. He found American lawyers willing to work for free to fight the gun charges. He would like to see his 91-year-old mother in Kansas City one last time.
His longing for the States comes at funny moments, as when he sees shrimp sailing through the air in Red Lobster commercials. He still dreams about the Kansas City he knew as a child, the bakeries and the public swimming pool and the ladies with their hats. But the city seems wrong, somehow, becoming weirdly unrecognizable.
In other dreams, he finds himself fleeing from things he can't see or name, urging his wife, "Charlotte, you gotta run!"
He regards his complex of bunkhouses, workshops and classrooms as "socialism in microcosm," he tells the students, though doctrinaire Marxism left him disillusioned. People, he concluded, are basically selfish.
Have his views on violence changed?
"I don't have the particular type of courage that would allow me to turn the other cheek."
One fresh-faced girl says she's been in Tanzania a week, and thinks it might be neat to move here. Does he recommend it?
Patiently, he replies: "It ain't that kind of party."
Of late, he tells the students, he's been haunted by the deaths of other exiled Panthers. One died in France last February, another in Zambia in October.
Then there was his close friend Elmer "Geronimo" Pratt, the Panthers' former field marshal, who spent 27 years behind bars on a murder conviction before a California judge overturned it.
In 2002, Pratt bought a big farmhouse nearby with his false-imprisonment settlement, and O'Neal felt as though he'd rediscovered a lost brother. They drove through the village listening to Richard Pryor CDs, laughing until they wheezed and tears rolled down their cheeks.
Pratt was hospitalized with high blood pressure in May. He hated any confinement. He pulled out his IVs and went home. Days later, O'Neal found him on his side, dead in bed, just 63. His memorial would be tomorrow.
"People are dropping, man," he tells the students. He doesn't say that his thoughts were circling his own mortality so relentlessly that he couldn't sleep last night, and climbed out of bed to tally up what he would leave behind.
Pete O'Neal's four-acre compound bustles with visitors, some of them preparing dance routines for the memorial service for Elmer "Geronimo" Pratt, the onetime Black Panther who died in his farmhouse down the road. (Barbara Davidson / Los Angeles Times)
Hundreds gather for Pratt's memorial service. O'Neal sits on the stage under the avocado tree and tells a few stories about their friendship: How Pratt always told him his toes were ugly. How they joked endlessly about who was the bigger hayseed.
Amid the prayers and the singing and the tributes, he manages to steal away for a few moments to inspect the bus. The seats are lined up in the dirt, ready to be scrubbed and resewn. The windows are taped up so the painting can begin. Panther colors: black and light blue.
He remembers discovering the ocean.
He was in his late teens, a heartland kid who believed his fearful precinct of Kansas City was the absolute center of the world, its ugliness and bigotry a true picture of the world. It is why, to his mind, violent revolution looked logical and inevitable.
Then he arrived in California to report for duty in the Navy, and turned his head and saw the Pacific. His breath was caught short by the immensity of it, all that blue stretching out into other lands, other stories. It was the start of a decades-long lesson that the world is bigger, more complicated and interesting than his little plot of bitter experience had led him to suspect.
His orphans have never left this inland region of cornfields and malarial swamps. They've never tasted salt water, or felt hot beach sand between their toes.
"They have no idea — no idea — what the ocean is," he says.
Nights and weekends, they pile into his living room and watch documentaries about sea life. He tells them about whales, giant squid, blind fish in the lightless deep. He regales them with shark stories.
Will they eat me?
If they're hungry enough, they'll try.
Because they don't like me?
No, it's the natural order of things.
Now and then he indulges in what he calls "Kansas City exaggeration," and even the majestic sea gets some burnishing. The sharks in his stories grow bigger than houses.
The kids study the TV. The sharks don't look that big.
OK. But they do have sharks bigger t

Sunday, January 29, 2012

OUR BLACK SKINNED BEAUTY Gabourey Sidibe Appears on american Dad!

AMERICAN DAD
Air Date: Sunday, January 29, 2012
Time Slot: 9:30 PM-10:00 PM EST on FOX
Episode Title: (DAD-6



VIEW ALL LISTINGS FOR AMERICAN DAD



[NOTE: The following article is a press release issued by the aforementioned network and/or company. Any errors, typos, etc. are attributed to the original author. The release is reproduced solely for the dissemination of the enclosed information.]

SUNDAY, JANUARY 29

--"AMERICAN DAD" - (9:30-10:00 PM ET/PT) CC-HDTV 720p-Dolby Digital 5.1

STAN'S DREAM OF JOINING THE GOLF CLUB FALLS SHORT ON AN ALL-NEW "AMERICAN DAD" AIRING SUNDAY, JANUARY 29, ON FOX

Patrick Stewart ("X-Men"), Cheech Marin ("Cars 2"), Gabourey Sidibe ("Tower Heist") and Hulk Hogan Make Guest Voice Appearances

When Stan finally has enough money to afford a membership at the golf club he has worked at for the past thirty summers, his hard work and perseverance prove to be futile when the club gives a membership to Steve first. However, things are not all what they seem when Stan realizes who the club owner really is on the all-new "Stanny Tendergrass" episode of AMERICAN DAD airing Sunday, Jan. 29 (9:30-10:00 PM ET/PT) on FOX (DAD-615) (TV-14 D, L, S V)

Voice Cast: Seth MacFarlane as Stan Smith, Roger the Alien and Greg; Wendy Schaal as Francine Smith; Rachael MacFarlane as Hayley and Mom; Scott Grimes as Steve and Sully Sullenberger; Dee Bradley Baker as Klaus and Narrator.

Guest Voice Cast: Patrick Stewart as Bullock, Cheech Marin as Horatio, Gabourey Sidibe as Herself, Hulk Hogan as Himself.

BLACK POLYGAMY - FELA Married his 23 Wives! In Nigeria!

BLACK POLYGAMY in South Africa #1

SOUTH AFRICAN PRESIDENT ZUMA AND 3 OF HIS WIVES!  
SOUTH AFRICAN PRESIDENT ZUMA AND 3 OF HIS WIVES!

BLACK POLYGAMY in Nigeria

BLACK POLYGAMY in South Africa #2

Thursday, January 26, 2012

Gabourey SIDIBE-OUR BLACK SKINNED BEAUTY IS. HONOURED BY ESSENCE MAGAZINE !

http://www.marketwatch.com/m/story/7ae9076a-5d4e-4c72-8873-f4c7a307ca7c?pageNumber=1&allPages=True. erry Washington, Paula Patton, Shonda Rhimes, Octavia Spencer, & Pam Grier to be Honored at the 5th Annual Essence Black Women in Hollywood Luncheon
--Essence Celebrates African-American Women Who Shine on the Big and Small Screen; Spotlights Black Women Writers, Directors, and Producers; and Addresses Re-Defining Roles of Black Women in Front of the Camera and Behind-the-Scenes --Essence.com To Exclusively Live Stream From The Red Carpet, Bringing Stars, Style & Sizzle Up Close! --Essence Annual Hollywood Issue Hits Newsstands February 12th
NEW YORK, Jan. 26, 2012 /PRNewswire via COMTEX/ -- Today, ESSENCE is pleased to announce the 5th annual ESSENCE Black Women in Hollywood Luncheon honoring the industry's most exciting African-American talent--both in front of the camera and behind-the-scenes in Hollywood. Taking place on February 23, 2012 at the Beverly Hills Hotel, ESSENCE will celebrate five extraordinary women who have left an indelible impression with their work within the film and television industries: Kerry Washington (Vanguard Award), Octavia Spencer (Breakthrough Performance), Pam Grier (Legend Award), Paula Patton (Shining Star Award) and Shonda Rhimes (Visionary Award presented by Lincoln). This star-studded event commemorates ESSENCE magazine's annual Hollywood issue and in honor of the fifth anniversary, Essence.com is giving fans exclusive access to all the red-carpet celebrity style, action and interviews via live stream from 11:30am to 12:30pm PST and re-airing that evening at 9:00pm EST.
"Black women actors, writers, directors and producers still lack diverse opportunities in Hollywood and, unfortunately, are often overlooked during awards season," commented ESSENCE Editor-in-Chief Constance White. "The ESSENCE Black Women in Hollywood Luncheon exists to provide a fitting tribute to the brilliant talent and accomplishments of African-American trailblazers like Kerry, Pam, Paula, Octavia and Shonda and celebrate their collective work as an inspiration for generations to come."
Since its commencement in 2008, ESSENCE Black Women in Hollywood has honored Halle Berry, Jada Pinkett-Smith, Angela Bassett, Queen Latifah, Taraji P. Henson, Viola Davis, Jennifer Hudson, Zoe Saldana, Mary J. Blige, Gabourey Sidibe, Jurnee Smollett, Ruby Dee, Diahann Carroll, Cicely Tyson, Loretta Devine, Gina Prince-Bythewood, and Suzanne de Passe. As one of the most highly anticipated events during Oscar week, this A-List event has hosted some of Hollywood's elite, including Tom Cruise, Will Smith, Amy Adams, Samuel L. Jackson, Forest Whitaker, James Cameron, and Laurence Fishburne, among many others.
Stay tuned to Essence.com for highlights and behind-the-scenes access to ESSENCE Black Women in Hollywood. Follow us on Twitter @essenceonline #EssenceBWIH. Join in the discussion on Facebook.
Sponsors for the ESSENCE Black Women in Hollywood Luncheon include presenting sponsor Lincoln, as well as partner sponsors ING, L'Oreal Paris and Smartwater.
About the ESSENCE Black Women in Hollywood honorees:
Kerry Washington: As the recipient of the Vanguard Award, Kerry Washington has built an impressive list of credits starring in award winning, critically acclaimed films such as The Last King of Scotland opposite Oscar Award winner Forest Whitaker and Ray for which she won "Outstanding Actress in a Motion Picture" at the NAACP Image Awards. In 2010, Washington made her Broadway debut in David Mamet's provocative hit Race with James Spader and David Alan Grier. Washington appeared with Matt Damon, Josh Brolin and Sean Penn in Howard Zinn's documentary The People Speak. In addition to earning praise for her accomplishments within her acting career, Washington was appointed by President Barack Obama to the President's Committee on the Arts and Humanities in November of 2009. She will next be seen in We the Peeples with Craig Robinson, 1000 Words with Eddie Murphy, and The Details with Toby Maguire. Kerry is set to star in the Scandal, the Shonda Rhimes drama for ABC, which premieres in April 2012.
Octavia Spencer:Octavia Spencer is enjoying a triumphant Awards Season, based on her stellar work in the Oscar-nominated film, The Help, opposite Viola Davis, Emma Stone and Bryce Dallas Howard. Her critically acclaimed performance has garnered her a first-time Oscar nomination for "Best Actress in a Supporting Role" as well as a Screen Actors Guild nomination for "Outstanding Performance by a Female Actor in a Supporting Role." She recently won the Golden Globe Award for "Best Supporting Actress-Motion Picture" and the Critics Choice Award for "Best Supporting Actress- Motion Pictures." Spencer is a 15 year veteran who has appeared in several award winning films which include A Time to Kill, Never Been Kissed, Big Momma's House, Spider-Man, Coach Carter and Seven Pounds. In 2009, Entertainment Weekly named Spencer one of the 25 Funniest Actresses in Hollywood. Spencer's upcoming projects include the independent feature film Smashed which recently premiered at the 2012 Sundance Film Festival and Diablo Cody's untitled directional debut opposite Russell Brand and Julianne Hough.
Pam Grier:A legend in every sense of the word, Pam Grier was the first African-American female to star as the lead in an action film becoming the face of early 1970s Blaxploitation movies like Jack Hill's Coffy, Friday Foster, Sheba, Baby and her most notable role Foxy Brown. Grier's career spans over five decades including television guest appearances on popular shows like Miami Vice, Martin, The Cosby Show, The Wayans Brothers Show and The Fresh Prince of Bel Air. In 1997 she stared in the title role of Quentin Tarantino's Jackie Brown, a film that partly paid homage to her '70s Blaxploitation movies. She was subsequently nominated for a Golden Globe Award for "Best Actress-Motion Picture" and for the Screen Actors Guild Award for "Best Actress Motion Picture" for her performance for Jackie Brown. Between 2002-2008, Pam appeared in six seasons of the Showtime series The "L" Word and 2010 began appearing in a recurring role on the hit science fiction series Smallville. She also appeared in the films Just Wright starting Queen Latifah, Larry Crown written, directed and starring Tom Hanks and Julia Roberts, and the Film Mafia with Ving Rhames. She is set to film Man With Iron Fists directed By RZA and Eli Roth. In early 2010, Pam along with Andre Cagan wrote her memoir, Foxy: My Life in Three Acts, a New York Times Bestseller. Her memoir won Best Memoir Award from the African American Literary Organization.
Paula Patton:As the leading lady in the newest Tom Cruise blockbuster Mission Impossible: Ghost Protocol, Paula Patton has taken Hollywood by storm. Landing her first acting role in 2005 alongside Will Smith and Eva Mendes in the movie Hitch, Paula went on to appear alongside Outkast members Andre Benjamin and Big Boi in Idlewild. In 2006 she starred in the science-fiction thriller Deja Vu, starring Denzel Washington and Val Kilmer. Paula appeared in the film Mirrors, alongside Kiefer Sutherland in 2008 followed by the critically acclaimed movie Precious, where she was nominated for an NAACP Image Award for "Outstanding Supporting Actress in a Motion Picture," Critic's Choice Award for "Best Acting Ensemble" and a Screen Actors Award for "Outstanding Performance by a Cast in a Motion Picture." In 2010 she starred in the movie Just Wright alongside Queen Latifah and Common followed by leading an all-star cast in the movie Jumping the Broom in 2011 which included Angela Bassett, Loretta Devine, Tasha Smith, Meagan Good, Gary Dourdan and new comer Laz Alonso. Patton recently wrapped the independent film Disconnect also starring Jason Bateman, Alexander Skarsgard and Andrea Riseborough.
Shonda Rhimes:Shonda Rhimes, the creator and executive producer of ABC's hit series Grey's Anatomy and Private Practice, is still continuing to be hailed by audiences and critics around the world. Rhimes has garnered several awards including "Television Producer of the Year" by the Producers Guild of America, the Golden Globe for "Outstanding Television Drama" and several NAACP Image Awards for "Outstanding Writing in a Dramatic Series" for her work on Grey's Anatomy and Private Practice. Aside from her success with network television, Rhimes wrote the Disney feature film Princess Diaries 2: A Royal Engagement, and co-wrote the HBO produced movie Introducing Dorothy Dandridge, which won numerous awards including a Golden Globe and a Best Actress Emmy for star Halle Berry's portrayal of Dandridge. Rhimes is also the creator and executive producer of the upcoming ABC midseason drama Scandal.
About Essence Communications Inc.: Essence Communications Inc. (ECI) is the number one media company dedicated to African-American women, with a multi-platform presence in publishing, live events, and online. The company's flagship publication, ESSENCE magazine, is the preeminent lifestyle magazine for African-American women; generating brand extensions such as the Essence Music Festival, ESSENCE Black Women in Hollywood and Black Women in Music, Window on Our Women and Smart Beauty consumer insights series, the Essence Book Club, Essence.com, and ventures in digital media (mobile, television and VOD). For 41 years, ESSENCE, which has a brand reach of over 8 million, has been the leading source of cutting-edge information and specific solutions relating to every area of African-American women's lives. Additional information about ECI and ESSENCE is available at .
SOURCE Essence Communications, Inc.
Copyright (C) 2012 PR Newswire. All rights reserved
Sent from my BlackBerry wireless device from MTN

NIGERIAN FUEL SUBSIDY STRIKE- A VIEW FROM AN ABROAD NIGERIAN VISITING NIGERIA DURING THE STRIKE!-FROM NNENNAORG.BLOGSPOT.COM

nnennaorg.blogspot.com

Monday, January 16, 2012

The Nigerian Strike: the Good, the Bad and the Ugly


I came back from Nigeria yesterday evening, after some 8 days of stay. I arrived on Saturday the 7th.. in the heat of "there may be a strike next week" talk. And strike there was.. the whole week. By Saturday 14th, someone had named it "the mother of all strikes" in Nigeria. He is correct.

For me, the protests were on three levels. First, I was a complete stranger to the whole of it. Since I dont live in Nigeria.. and fuel costs 1.5$ in my residence country for a liter..it was interesting for me to watch the outcry. On a second level, as a Policy Adviser, I was listening a lot: about what my relatives were saying. I watched a lot of news on TV, followed the #OccupyNigeria and #FuelSubsidy tags on Twitter and tried to process all the public policy issues that were flowing through all of that. On a third level, when I had to hit the road from the Eastern part of the country to the Western part on the Thursday,despite expressed fears from my mother and close family members, then I became one of the actors.

From my end, here are a few of the things I saw as the good, the bad, and the ugly of the strike.

The Good:

The citizen mobilization. Oh yes! In Yinka's article, Social media was hailed as a magnifying force of the protests. The photo shot by Sunday (which I borrowed for this post) also shows how huge certain crowds got. Since the Arab Spring, millions of Africans having been desiring, hoping, scratching for a similar occasion.. to out their issues with the powers that be. In Nigeria itself, the OCCUPYNIGERIA movement had started before the fuel subsidy saga. So it was not a surprise that that the citizen mobilization was huge.

Corruption to the fore: Everybody says there is corruption in Nigeria. I am not in the secret of the gods and cannot say what strategy the Nigerian President - Goodluck Jonathan - may have put in place alongside the fuel subsidy removal one, but for once, the big question of corruption in Nigeria became a national agenda. Government says it wants to tackle corruption by removing subsidy and citizens insist corruption needs to be tackled while subsidy is maintained.. which ever way.. the strike has made it clear.. everyone in Nigeria agrees that corruption is THE problem and needs to be confronted.

Rise of critical questions: I listened to radio and TV programmes during the entire strike. I read the tweets and web posts. I have been impressed by the number of critical questions raised during the strike period. What happened to the subsidy money from diesel? Is kerosine subsidized or not? How does government spending in fuel subsidy actually add up? What are the exact costs? Where does the spending go? Who makes decisions in key energy issues? What about earlier promises made by government on energy-related issues? What is the role of the Bretton-Woods institutions on this? When are the refineries getting back to work? What does it take for Nigeria to get them started? What real mechanisms is government putting in place to REALLY tackle corruption? How come government is quick to remove fuel subsidy when it is so slow in fighting Boko Haram (The Militant Islamic group). So many questions..

Mutual respect: In the history of Nigeria, I am not sure that such a strong-willed confrontation has happened. The way the government took the citizens by surprise.. and the way the citizens reacted with a resilience that took decision makers by surprise as well. At first, the citizens thought the government will back out entirely after 2/3 days of strike.. and the government also thought that citizens will back off after 2/3 days of protests. It is now comfortable to say that there is that healthy respect; in which the government respects the power of the citizens and the citizens become aware that the present government has a strong will. Now that everyone is aware that everyone is aware.. things may never be the same again.

The Bad

The loss in productivity: This is the huge loss. There are figures that are flying around about how much the government was losing in productivity for each day of the strike. But the loss is incalculable. The economic, yes. But the social, the political and the personal. Simply put: Almost everyone in Nigeria lost.

No clear way out of the corruption quagmire: Though the question has risen to the fore and the need to tackle corruption has become a national agenda, the strike does not seem to have paved a way for it. Will the Nigerian government put more emphasis on transparency and good governance? Not sure. Will individuals adopt a less corrupt behaviour? No signs.. The strike may have been the "River Niger" of an anti-corruption move, but the "pacific ocean" of corruption remains cool, calm and undisturbed. Like the novelist Ayi Kwei Armah says: "The Beautyful Ones are Not Yet Born".

Issues with information: As in such cases, one thing was the strike, the other was the information management. It is not clear that the Nigerian government has put in place a strategic government information channel that takes into consideration the Web 2.0 era. Rumors had a field day. When I was setting off from Aba to Lagos, those in Aba had information that there was zero movement in Lagos and those in Lagos were under the impression that because Lagos was crippled for the major part, all parts of the country were. In truth, Aba and some other Eastern Nigeria cities were going about their businesses. Granted, banks were not open but transport was okay. In Lagos too, apart from the designated meeting areas, there was movement in town. If you add those to hackers who took the opportunity to hack key institutional sites.. the misinformation of both parties, and especially the international community was on "high level".

Lack of proper citizen education: In many of the responses to the fuel subsidy removal, almost all pointed to one key factor: there was not enough public policy education of the Nigerian population. The education of the mass did not happen. Some claim consultation did not also happen. Those who could quickly educate themselves "saw the point" in what government was "trying to get at" but not everyone can educate him/herself.

The Ugly

Greed. I think it should be called by its name. Owners of fuel stations who had products delivered at the initial price were happy to sell the same at the new price. In Aba, stations sold PMS for 150 Naira!! Somewhere in Lagos, people had to beg to buy at 138 Naira. It is easy to point at the corruption of others.. but for the owners of the fuel stations.. mhmm! There was also the "Okada" bike riders who doubled their prices. The airlines who were collecting 100$ each for ticket changes. The women at the market.. greed had a field day

Extortion: I had to send out a tweet when my driver panicked. He got news that youths armed with clubs were breaking windshields of vehicles at Ijebu Ode junction of the Benin-Abeokuta express way. On arrival, the sight that met my eyes was a very worry one indeed. At least 1000 youths had mounted road blocks at every 20 meters on either side of the highway and were collecting cash from every single vehicle that drove by. My driver paid in at least 12 points for a 500 meters stretch of road. It was sickening!

Deaths: Labour may have called off the strike, but the fact still remains that people died during the strike. Some from one kind of violence or another, and others as collateral. Like my mother will say, "it is only after the race that we will calculate the distance".

In years to come, Nigerians will look back to the second week of January 2012 and point at the many firsts..

I do hope that the good, the bad and the ugly of the week will serve us in a positive way.

For Nigeria, for Africa, for the world.

1 comments:

go_ada said...
You have made quite a good summary of it all. There have been lessons learnt. Very many, indeed.

Personally, I think the 1st big issue is TRUST. Do we trust that the government will do what they say they will do? Did the NLC really take cognisance of the peoples' views or were they bought over? This strike thing and the way it has played out has become a recurring act for each government desiring a price increase in fuel: take it up, strike, bring it slightly lower! Was it subsidy removal or just increase of fuel price?

The second is SURVIVAL. How will the average Nigerian fare, considering that there is no salary increase, yet the fuel increase has a ripple effect on all areas of his/her life, increasing his cost of living by at least 40%? Before now, I use N3500 to fill my tank. Now it costs me N5000. The prices of everything in the market has gone up, even childrens'school fees! The only people who seem like they would not feel the pinch are the politicians, enjoying very fat allowances from the government (actually, the people's) money.

The third issue is EMASCULATION. We were just told by the SSS & the Police IG (on Channels tv interview of 16th Jan) part of what constitutes treason. To my surprise, calling a president names is one of them. Military personnel with armoured tanks and guns on the streets forcefully stopping from engaging in a peaceful protest were said to be 'maintaining the peace & security' of the nation. Its rather ironic. It is infuriating and believe me, that's putting it mildly. These were the same people who were invited to dance and cheer on those same streets to support and vote ing the mandate of this present government. It hurts if a person you place your hope in betrays that trust.

There are other issues. I believe though, that the above-listed three throws a man into a state of 'retreat, ruminate, react'.

God help Nigeria