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Showing posts with label BRAZIL. Show all posts
Showing posts with label BRAZIL. Show all posts

Thursday, September 20, 2018

YORUBA MADE ONE OF THE OFFICIAL LANGUAGES IN BRAZIL OOO!



http://www.newsmakersng.com/brazil-gives-yoruba-language-official-status-nobel-laureate-says-ifa-is-alive/ Brazil Gives Yoruba Language Official Status …Nobel Laureate Says IFA is Alive
 
From Oriwoegbe Ilori, Sao Paulo/

The Brazilian government has given Yoruba a pride of place among foreign languages spoken in the country.
NewsmakersNG was told in an exclusive interview with the Brazilian minister of culture, Dr Sérgio Sá leitão at the weekend in Brazil that the government has introduced the compulsory study of African History and Yoruba language into the primary and secondary schools curriculum.
The minister spoke at an event where the Institute of African Studies, University of Sao Paulo, in Brazil paraded important dignitaries including Nigerian artists and historians, as well as professors of arts and African studies at a lecture on the importance of Yoruba language in the Brazilian culture and tradition.
According to him, the inclusion of African History and Yoruba Language in the curriculum would help bring the closeness of the African Brazilian people to their roots and thus encourage the understandings of the language among other important languages in Brazil apart from Portuguese which is the official language.
The minister also mentioned the role played by Brazil during the festival of arts and culture, ‘FESTAC 77’, held in Lagos, Nigeria in 1977; the constant intercultural programmes between Nigeria and Brazil; the annual carnival of Arts, music and cultural displays featuring prominent African artists and Yoruba writers such as Yinka Shonibare, Adeyinka Olaiya, El Anatsui among many others, including the highly respected Yoruba writer, Professor Wande Abimbola.
Books of African writers present at the event.
Nobel Laureate, Prof Llosa
Speaking at the event, Peruvian Nobel laureate, Prof. Mário Vargas Llosa also made mention of the African community in Peru where the African Peruvians are settled till date.
Vargas Llosa, who won the Nobel Prize in Literature in 2010, is known as one of Latin America’s most significant novelists and essayists, and one of the leading writers of his generation.
According to Vargas Llosa, Yoruba people and their culture have helped the universe, IFA has proven his existence in the beings of mankind right from the inception and IFA is still very much alive and needs to be recognized even more than it is today.
According to Prof Mário Vargas, the Yoruba language should no longer be approached as an ethnic language but a universal language that is alive in culture and tradition of the Africans and her roots around the universe.
Speaking in Yoruba and Portuguese, Prof Katiuscia Ribeiro of the Institute of African Studies drew attention to the African philosophical practices introducing the constant representation of the Yoruba culture and religion in the Brazilian traditional beliefs.
NewsmakersNG learnt that the Yoruba traditional religion today comes after the Catholic practices as the most improving religious practices in the South American country. Several houses of worships called “ILE ASE” are having the Yoruba culture, tradition and language as official, whenever the cults are declared open for the day. Babalawo, Iyalawo, Omo Awo, and Aborisa are all common Yoruba usages in the practice of the Yoruba religion called Candomblé in Brazil.
Prof Kanyitus, USP, Sao Paulo and Olaiya at the event.
A Nigerian carnival artist, painter and illustrator, Adeyinka Olaiya, also expressed the benefits the Yoruba language would bring to the Brazilian culture if fully integrated into the Brazilian educational curriculum.
According to Olaiya, living in Salvador, Brazil, is like living in any of the western states of Nigeria where the Yoruba are predominantly located.
He said, “Most of the cultures and traditions in evidence in Brazil are all of the heritages brought along to the Latin American country by the majority Yoruba families, victims of the BARCO NEGREIROS, the NEGRO BOAT that forcefully brought the enslaved West Africans to Brazil in the 13th century. The Yoruba heritage that represents the majority of the African cultural practices in Brazil today is having several words in Yoruba roots. Akara, Dendê, Iyalode, Babalawo, Iyalawo and lots more are all derived from the Yoruba roots.”

posted from Bloggeroid

Friday, September 07, 2018

YORUBA LANGUAGE GIVEN OFFICIAL STATUS BY BRAZIL OOOO!

http://www.newsmakersng.com/brazil-gives-yoruba-language-official-status-nobel-laureate-says-ifa-is-alive/ Brazil Gives Yoruba Language Official Status …Nobel Laureate Says IFA is Alive
 
From Oriwoegbe Ilori, Sao Paulo/

The Brazilian government has given Yoruba a pride of place among foreign languages spoken in the country.
NewsmakersNG was told in an exclusive interview with the Brazilian minister of culture, Dr Sérgio Sá leitão at the weekend in Brazil that the government has introduced the compulsory study of African History and Yoruba language into the primary and secondary schools curriculum.
The minister spoke at an event where the Institute of African Studies, University of Sao Paulo, in Brazil paraded important dignitaries including Nigerian artists and historians, as well as professors of arts and African studies at a lecture on the importance of Yoruba language in the Brazilian culture and tradition.
According to him, the inclusion of African History and Yoruba Language in the curriculum would help bring the closeness of the African Brazilian people to their roots and thus encourage the understandings of the language among other important languages in Brazil apart from Portuguese which is the official language.
The minister also mentioned the role played by Brazil during the festival of arts and culture, ‘FESTAC 77’, held in Lagos, Nigeria in 1977; the constant intercultural programmes between Nigeria and Brazil; the annual carnival of Arts, music and cultural displays featuring prominent African artists and Yoruba writers such as Yinka Shonibare, Adeyinka Olaiya, El Anatsui among many others, including the highly respected Yoruba writer, Professor Wande Abimbola.
Books of African writers present at the event.
Nobel Laureate, Prof Llosa
Speaking at the event, Peruvian Nobel laureate, Prof. Mário Vargas Llosa also made mention of the African community in Peru where the African Peruvians are settled till date.
Vargas Llosa, who won the Nobel Prize in Literature in 2010, is known as one of Latin America’s most significant novelists and essayists, and one of the leading writers of his generation.
According to Vargas Llosa, Yoruba people and their culture have helped the universe, IFA has proven his existence in the beings of mankind right from the inception and IFA is still very much alive and needs to be recognized even more than it is today.
According to Prof Mário Vargas, the Yoruba language should no longer be approached as an ethnic language but a universal language that is alive in culture and tradition of the Africans and her roots around the universe.
Speaking in Yoruba and Portuguese, Prof Katiuscia Ribeiro of the Institute of African Studies drew attention to the African philosophical practices introducing the constant representation of the Yoruba culture and religion in the Brazilian traditional beliefs.
NewsmakersNG learnt that the Yoruba traditional religion today comes after the Catholic practices as the most improving religious practices in the South American country. Several houses of worships called “ILE ASE” are having the Yoruba culture, tradition and language as official, whenever the cults are declared open for the day. Babalawo, Iyalawo, Omo Awo, and Aborisa are all common Yoruba usages in the practice of the Yoruba religion called Candomblé in Brazil.
Prof Kanyitus, USP, Sao Paulo and Olaiya at the event.
A Nigerian carnival artist, painter and illustrator, Adeyinka Olaiya, also expressed the benefits the Yoruba language would bring to the Brazilian culture if fully integrated into the Brazilian educational curriculum.
According to Olaiya, living in Salvador, Brazil, is like living in any of the western states of Nigeria where the Yoruba are predominantly located.
He said, “Most of the cultures and traditions in evidence in Brazil are all of the heritages brought along to the Latin American country by the majority Yoruba families, victims of the BARCO NEGREIROS, the NEGRO BOAT that forcefully brought the enslaved West Africans to Brazil in the 13th century. The Yoruba heritage that represents the majority of the African cultural practices in Brazil today is having several words in Yoruba roots. Akara, Dendê, Iyalode, Babalawo, Iyalawo and lots more are all derived from the Yoruba roots.”

posted from Bloggeroid

Monday, August 01, 2016

SANGO FESTIVAL-"UNSEEN PHOTOS OF YORUBA ,GOD OF THUNDER--FROM 234FORUM.COOM

FROM 234FORUM.COM

SEE Unseen Photos Of Yoruba god of thunder, ‘Sango’

The Sango Koso is the highest and the head of all the Sangos in the world. He is equivalent to a king. In Oyo Empire, it believes that if there is no Sango, there is no Alaafin, if there is no Alaafin there is no Oyo.

Sango Koso being ushered into the shrine for traditional rites. Photo credit: Micheal Obasa
Each successive Alaafin can see other Sangos except Sango Koso. It is said that the Alaafin cannot bow for anyone king including Sango Koso and Sango Koso cannot bow for Alaafin. On the arrival of this Sango, the Alaafin by tradition is expected to retire to his chamber as the two cannot reign at the same time.
Naij.com brings to you photos of the Sango Koso. See photos below.
Sango Koso
Sango Koso responding to cheers from devotees. Photo credit: Micheal Obasa

Traditional drummers heralding the entrance to Sango Koso. Photo credit: Micheal Obasa

The Mogba Koso, the high priest and custodian of Sango heritage and his wife Photo credit: Micheal Obasa
Sango devotees dancing to the beat of drums
Sango devotees dancing to the beat of drums. Photo credit: Micheal Obasa

Sango Koso in his full regalia Photo credit: Micheal Obasa

Danafojura masquerade performing at the event. Photo credit: Micheal Ob

Monday, January 25, 2016

BLACK WOOLLY HAIR COVER OF JOURDAN DUNN ON VOGUE BRASIL,FEB. ISSUE,2016

from bloginvoga.com

Brazil’s February 2016 cover by Zee Nunes [covers]

Jourdan Dunn wears an afro on Vogue Brazil’s February 2016 cover by Zee Nunes  [covers]
For Vogue Brazil new issue, the magazine taps British model Jourdan Dunn for not just one, but two covers for February 2016. On the first, Jourdan poses in a Burberry dress while rocking a afro hair and for the second, she shows off the same hairstyle while rocking a Burberry trench coat with a top and hot pants from Osklen. Both covers were photographed by Brazilian photographer Zee Nunes, styled by fashion editor Pedro Sales with beauty by Silvio Giorgio. See more of Jourdan Dunn on her biography after the jump. 

Jourdann Dunn wears Burberry and Osklen for Vogue Brazil February 2016 cover
Jourdann Dunn wears Burberry and Osklen for Vogue Brazil February 2016 cover
Jourdann Dunn wears Burberry for Vogue Brazil February 2016 cover
Jourdann Dunn wears Burberry for Vogue Brazil February 2016 cover




About Jourdan Dunn 
Jourdan Dunn is a model and a mother. Known for her fun personality and hardworking attitude as much as her timeless beauty, she has worked on campaigns for Burberry and Saint Laurent, appeared on numerous Vogue covers and has walked in shows from Christian Dior to Victoria's Secret.  
  • Dunn was born in 1990 in Greenford, West London, where she grew up with her receptionist mother and her two younger brothers, Antoine and Kain.
  • Dunn was scouted by Storm Models, aged 14, in the Hammersmith branch of Primark. Within a year of being signed, she made her catwalk debut walking for Marc Jacobs at New York Fashion Week. Soon after, she walked for Ralph Lauren and fronted campaigns for Topshop and Oxfam.
  • 2008 was Dunn's year. She landed her first Vogue Italia cover for their legendary Black Issue, gracing the front page with Naomi Campbell, Chanel Iman and Liya Kebedo. A few months later, she closed the Issa show walking with Campbell and Daniella Issa Helayel herself. She said of the experience: "words cannot describe how it felt…I want to relive it all."
  • In October 2008, she made her debut on the cover of British Vogue, alongside Rosie Huntington-Whiteley and Eden Clarke. Shot by Patrick Demarchelier, the young models graced the cover representing different types of beauty. Alexandra Shulman explained that Dunn was chosen because she was, "the cool face of young black beauty."
  • Dunn won Model of the Year at the 2008 British Fashion Awards. Supermodel Erin O'Connor wrote for Vogue.co.uk that watching Dunn pick up the award was her, "favourite moment of the evening" because of the young model's endearing surprise at winning the award.
  • Aged 18, Dunn discovered she was pregnant with boyfriend of five years, Jordan Cummings. She kept her pregnancy quiet for almost six months, but then went on to show off her baby bump when walking for Jean Paul Gaultier at her seven-month mark. She has spoken about how supportive the  fashion industry was during and after her pregnancy, telling Sunday Times Style: "this is a good career for a working mother."
  • Dunn gave birth to her son, Riley in December 2009 and returned to the catwalk just 10 weeks after giving birth, walking for Aquascutum in a simple, belted trench.
  • Dunn has spoken out about Riley's sickle cell anaemia and how she wants to use her high-profile position to raise awareness of the disorder; she supports the Sickle Cell Society through fundraising and charity events.
  • She regularly praises her mother for being her main support in helping to raise her young son. Although she is no longer with Cummings, she has said that Riley has a great relationship with his father.
  • In February 2011, Dunn - alongside male model Sacha M'Baye - became the face of the spring/summer 2011 Burberry campaign.
  • Dunn was a part of the London 2012 Olympics closing ceremony in a celebration of British fashion. She posed, with David Gandy, in a Jonathon Saunders dress and Stephen Jones headpiece.
  • Alongside her many fashion endeavours, Dunn has also starred in her own cooking show, Well Dunn By Jourdan Dunn, on Jay-Z's Youtube channel and has appeared in numerous music videos for both Beyonce and Jessie J.
  • Dunn announced in 2013 that she would be temporarily moving from London to New York for work. She is a firm favourite to work with in the modelling world for her vibrant and down-to-earth personality and is regularly seen socialising with fellow models Cara Delevingne, Karlie Kloss and Joan Smalls.
  • For the second issue of Miss Vogue, Dunn appeared on the cover, telling us: "Sometimes I feel so guilty about missing out on everything, but I have to remember that I am doing this for [my son], for his future..."
  • In March 2014, Dunn spoke at The Vogue Festival. She discussed her first trip to New York: "I was 16. My mobile bill was crazy because I was just on the phone to my mum every day; crying and complaining, then some more crying and more complaining."
Source: http://www.vogue.co.uk/spy/biographies/jourdan-dunn-biography

Sunday, April 19, 2015

BLACK BRAZIL! -77% OF YOUNG PEOPLE KILLED IN BRAZIL ARE BLACK!-FROM FACEBOOK-BLACK GENOCIDE NOW

from facebook-blackgenocidenow
45 mins ·
A Global Problem
Linton Kwesi Johnson se importa. E você? Assine o manifesto 'Queremos ver os jovens vivos!' www.anistia.org.br/jovemnegrovivo
Mais fotos da ação de ativismo no Back2Black > http://on.fb.me/1LGBMFg
Linton Kwesi Johnson cares. And you? Sign the manifesto ' we want to see the young people alive!' Www.anistia.org.br/jovemnegrovivo

More pictures of the action of activism in Back2Black Regards http://on.fb.me/1LGBMFg

#JovemNegroVivo
#ChegaDeHomicídios
#EuMeImporto
(photo: Adair aguiar / amnesty international)

Friday, March 08, 2013

ORISHA! -YORUBA MESSENGERS FROM OLODUMARE-NOT GODS OR DIETIES BUT MESSENGERS LIKE JESUS AND MUHAMMAD- FROM ORISHANET.ORG

FROM ORISHANET.ORG


BLACK IS BEAUTIFUL!


DEDICATED TO SAVING BLACKNESS WORLDWIDE!

--------------------------------------------------------------------------------



« 3D少女互動自慰器 USB電腦影像 高科技USB手淫道具 bhntzfORISHA!- YORUBA MESSENGERS FROM OLODUMARE! – FROM ORISHANET.ORG

by Yeye Akilimali Funua Olade





YEMONJA



ORUNMILA



OGUN



OSUN



OCHOSI



OBATALA



ESU



SANGO



OYA



from orishanet.org

The Orishas

The orishas are the emissaries of Olodumare or God almighty. They rule over the forces of nature and the endeavors of humanity. They recognise themselves and are recognised through their different numbers and colors which are their marks, and each has their own favorite foods and other things which they like to receive as offerings and gifts. In this way we make our offerings in the manner they are accustomed to, in the way they have always received them, so that they will recognise our offerings and come to our aid.



The orishas are often best understood by observing the forces of nature they rule over. For instance, you can learn much about Oshún and her children by watching the rivers and streams she rules over and observing that though she always heads toward her sister Yemayá (the Sea) she does so on her own circuitous route. Also observe how the babbling brook and the flash flood reflect her changeable moods. As you observe the orishas at work in the world and in your own lives you will gain a better understanding of them and their ways. Yes, they are complex, but no more so than any other living being such as you or I. We are also blessed from time to time in the religion with the opportunity to meet the orishas face to face during a wemilere (drumming ceremony) where one or more of their priests will be mounted (see trance possession).



Elegguá



Elegguá is the owner of the roads and doors in this world. He is the repository of ashé. The colors red and black or white and black are his and codify his contradictory nature. In particular, Elegguá stands at the crossroads of the human and the divine, as he is child-like messenger between the two worlds. In this role, it is not surprising that he has a very close relationship with the orisha of divination, Orunmila. Nothing can be done in either world without his permission. Elegguá is always propitiated and called first before any other orisha as he opens the door between the worlds and opens our roads in life. He recognises himself and is recognised by the numbers 3 and 21.



Prayer for Eleggua: Echu obá loná tosí gbogbo ona iré o aché



Ogún

Ogún is the god of iron, war and labor. He is the owner of all technology and because this technology shares in his nature, it is almost always used first for war. As Elegguá opens the roads, it is Ogún that clears the roads with his machete. He is recognised in the numbers 7 and the colors green and black.



Prayer for Ogun: Ogún oko dara obaniché aguanile ichegún iré



Oshosi

Oshosi is the third member of the group known as the Guerreros or Warriors, and is received along with Elegguá, Ogún and Osun in order to protect the Guerreros initiate and to open and clear their roads. Oshosi is the hunter and the scout of the orishas and assumes the role of enforcer of justice for Obatalá with whom he has a very close relationship. His colors are blue and yellow.



Prayer for Ochossi: Ochosi Ode mata obá akofá ayé o unsó iré o wa mi Ochosi omode aché



Obatalá

Obatalá is the kindly father of all the orishas and all humanity. He is also the owner of all heads and the mind. Though it was Olorun who created the universe, it is Obatalá who is the creator of the world and humanity. Obatalá is the source of all that is pure, wise peaceful and compassionate. He has a warrior side though through which he enforces justice in the world. His color is white which is often accented with red, purple and other colors to represent his/her different paths. White is most appropriate for Obatalá as it contains all the colors of the rainbow yet is above them. Obatalá is also the only orisha that has both male and female paths.



Prayer for Obatala: Obatalá obá layé ela iwo alara aché



Oyá

Oyá is the ruler of the winds, the whirlwind and the gates of the cemetery. Her number is nine which recalls her title of Yansá or “Mother of Nine” in which she rules over the egun or dead. She is also known for the colors of maroon, flowery patterns and nine different colors. She is a fierce warrior who rides to war with Shangó (sharing lightning and fire with him) and was once the wife of Ogún.



Oshún

Oshún rules over the sweet waters of the world, the brooks, streams and rivers, embodying love, fertility. She also is the one we most often approach to aid us in money matters. She is the youngest of the female orishas but retains the title of Iyalode or great queen. She heals with her sweet waters and with honey which she also owns. She is the femme fatale of the orishas and once saved the world by luring Ogún out of the forests using her feminine wiles. And,in her path or manifestation of Ibú Ikolé she saved the world from draught by flying up to heaven (turning into a vulture in the process). Ikolé means Messenger of the House (of Olodumare). For this reason all who are to be initiated as priests, no matter what orisha rules their head, must go to the river and give account of what they are about to do. She recognises herself in the colors yellow and gold and her number is five. Peacocks and vultures are hers and we use them often to represent her.



Yemayá

Yemayá lives and rules over the seas and lakes. She also rules over maternity in our lives as she is the Mother of All. Her name, a shortened version of Yeyé Omo Eja means “Mother Whose Children are the Fish” to reflect the fact that her children are uncountable. All life started in the sea, the amneotic fluid inside the mother’s womb is a form of sea where the embryo must transform and evolve through the form of a fish before becoming a human baby. In this way Yemayá displays herself as truly the mother of all. She partakes of Olokun’s abundance as the source of all riches which she freely gives to her little sister Oshún. She dresses herself in seven skirts of blue and white and like the seas and profound lakes she is deep and unknowable. In her path of Okutti she is the queen of witches carrying within her deep and dark secrets. Her number is seven for the seven seas, her colors are blue and white, and she is most often represented by the fish who are her children.



Prayer for Yemaya: Iyá eyá ayaba okun omá iré gbogbo awani Iyá



Shangó:

Perhaps the most ‘popular’ of the orishas, Shangó rules over lightning, thunder, fire, the drums and dance. He is a warrior orisha with quick wits, quick temper and is the epitomy of virility. Shangó took the form of the fourth Alafin (supreme king) of Oyó on Earth for a time. He is married to Obba but has relations with Oyá and Oshún. He is an extremely hot blooded and strong-willed orisha that loves all the pleasures of the world: dance, drumming, women, song and eating. He is ocanani with Elegguá, meaning they are of one heart. When sees the quickness with which lightning makes short work of a tree or a fire rage through an area, one has witnessed the temper of Shangó in action. Though he traded the Table of Ifá to Orunmila in exchange for the gift of dance, his children have an innate ability for divination. To acknowledge the greatness of this king, all in the religion raise up on the toes of our feet (or rise out our chairs if we are sitting) at the mention of his name. His colors are red and white and he recognises himself in the numbers four and six. He is most often represented by a double headed axe.



Prayer for Shango: Shangó obá adé oko, obá ina, Alafin Oyó aché o



Orunmila

Orunmila is the orisha of wisdom, knowledge and divination. He was the only orisha allowed to witness the creation of the universe by Olorun and bears witness to our destinies in the making as well. This is the source of his title of Eleri Ipin or “Witness to Destiny in its Creation”. His priests, the babalawos or “Fathers of the Secrets” must devote themselves entirely to the practice of divination and the accompanying arts. Through the Table of Ifá his priests unfold the secrets of the universe and the secrets of the unfolding of our lives. His colors are green and yellow which reflect Orunmila’s relationship with Osayín (the secrets of the plant world) and with Oshún, who is his apetebí with whom he has an extremely close relationship.



Prayer for Orunmila: Orunmila Ibikeyi Oludumare ela isode aché



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Tags: AFRICA, African Americans, BRAZIL, BUT MESSENGERS FROM OLODUMARE-GOD-LIKE JESUS AND MUHAMMAD!, CUBA, DEITES, NIGERIA, ORISHA, ORISHA ARE NOT GODS, RELIGION, SANTARIA, THE BLACK RACE, YORUBA RELIGION, YORUBAS



Monday, February 13, 2012

BLACKS IN THE DIASPORA ARE REALLY EMBRACING YORUBA RELIGION! -FROM TELL MAGAZINE,NIGERIA

from tellng.com

Searching for Lost Heritage

Vandermeer (in white) during his initiation, with Wande Abimbola (in green) Vandermeer (in white) during his initiation, with Wande Abimbola (in green)
In search of direction and purpose in life, African Americans, Latinos, Jamaicans, Cubans and Brazilians in America become Ifa worshippers and consult priests

By ABDULRAFIU LAWAL / Boston, Massachusetts

The grey staircase banister leading to the five-bedroom house smells of fresh paint.  As he opens the kitchen door while reciting some Ifa poems in Yoruba language laced with American accent, the neatness of the kitchen and fragrance of rose air freshener become convivial.

The kitchen area reveals a dining table with four chairs, a refrigerator and gas cooker on the far left. Moving through the passage to the divination room, one needs to take off shoes before proceeding further.  On the right is a black wooden shelf containing books on Ifa authored by scholars from all over the world. Atop the shelf rests a black gong, pictures and Ifa divination chain, opele.

Unlike the room of an average Ifa priest in Nigeria, this room has no strange wall hangings. In the middle of the room there is a rug, two small chairs facing each other, a small table between and some Ifa paraphernalia. On this table, you have a divination tray carved from wood known as Opon Ifa containing Iyerosun (divination powder), carved ivory object used to invoke Ifa during divination (Iroke) and cowrie shells (Eerindinlogun). Welcome to the home of Tony Vandermeer, an African American Ifa priest, known as Babalawo, located in the Dorchester area of Boston, Massachusetts, United States, US.

Vandermeer, an enigmatic character in many ways, hails from Harlem, a part of New York, which is a predominantly black settlement. Harlem is famous in America for producing a generation of black intellectuals. He comes from a family of seven. Coincidentally, he also has seven children, five boys and two girls. This is unusual in America where most families do not have more than three children.  It is however not the only unusual thing about Vandermeer. Equally unusual is the fact that he does not celebrate Christmas, Easter or any of the Christian holidays in the US, which is predominantly Christian.

Rather, he observes the Ifa new year (odun Ifa)  and other celebrations recognised by his religion. As an Ifa worshipper, Vandermeer is known for his practice throughout New England and beyond by his students and clients. New England is a region in the northeastern corner of the US consisting of six states namely Maine, Vermont, Rhode Island, Connecticut, New Hampshire and Massachusetts.

So why would someone in America, the land of opportunities, need the services of an Ifa priest?

One of his clients, Yvette Modestin, a social worker and coordinator for Network for Afro Latin American and Afro Caribbean Women, says divination allows her to understand the sequence of events unfolding in her life. According to her, “I have been in the position where Ifa divination has spoken directly to a situation that I was in. I actually find it hard to explain because it is an internal thing that happens, that validates the next step you are about to make.”

Modestin, founder of Encuentro Diaspora Afro who through her association with Vandermeer also embraced Ifa religion, says it has cleared confusion and pains from her life. “Ifa has become my voice and whisper because I felt like my ancestors were speaking to me. I had tapped into something that was deeper than me. This is what has been calling me and what I need in my life,” she said.

For Askia Toure, a 73-year-old writer, poet and political activist who says he comes for divination when his mind is troubled, Ifa is a direction giver. “Ifa is a blessing for me because I get the right answers. I grew up in the African American church, my father was a deacon. Then, I had influence of Sunni Islam. My whole life has been a search for how best to communicate with my creator. After a very traumatic experience in my life, I met Wande Abimbola,” Toure said.

Similar to what obtains in Nigeria, African Americans, Latinos, Jamaicans, Cubans or Brazilians in America who are Ifa worshippers consult priests when searching for jobs, setting up a new business, contracting marriages and facing other challenges of life.

Bridgit Brown, an African American blogger and writer in Boston, says she had an Ifa divination when she was going to work in West Africa for the first time few years ago. She wanted to know how the journey would turn out and the divination revealed that it would be a major success. “And it was. It also told me to be mindful of the importance of ordinary things, and to not just see wealth in terms of money, but in terms of having those things which are of basic needs: food, shelter, love, and so on, which is very contrary to the American way that I grew up knowing,” she said.

The method of divination for Vandermeer’s clients is also similar to that of Nigerian Ifa priests. All a client needs is to give a small consultation fee, whisper his intentions on it and Vandemeer consults Ifa for answers. For him, Ifa divination is a vehicle to help the society rather than an avenue for material gains. “This is why I have no fixed price for divination. I have students who come with coins or a dollar from their pockets. I tell people who come to see me that if they are doing well, I am happy to be part of it.”

He says some of the qualities he has learnt from Ifa in dealing with clients are honesty and patience. “No divination can bless one unless one’s Ori (inner self) accepts it. It is a two-prong process involving divination and sacrifice (ebo). So, if you are not gonna go through the process, don’t even bother. This is because the idea of sacrifice concretises what is it you came for,” he said.

Vandermeer recalls his first contact with traditional African religion in 1978, when he was about graduating from the university. “Things were kind of rough, I was having problems with the mother of my daughter. I went to an Obatala priest for divination which enabled me to get through these problems but things got worse in 1983.” This Obatala priest was of Jamaican ancestry who got initiated through the Cuban system and was part of the African Americans who set up Oyotunji village in North Carolina.

In 1983, sensing that his life had not really changed for the better, this father of seven met some Cubans who introduced him to their own form of Ifa practice. He was given a cauldron, beads of various deities (awon orisa) like Esu and Osanyin. Still not fulfilled, Vandermeer left the Cuban house in 1994 when he met a Nigerian, Afolabi Epega, whose father had written a book on Ifa in the early 1900. However, his romance with Ifa took a turning point when he met Abimbola, who is spokesperson for Babalawos worldwide (Awise Awo Ni Agbaye).

Vandermeer ended up studying with Abimbola for 12 years. “If people come for divination, I would help on any kind of spiritual work like ebo (sacrifice). At this point, he (Abimbola) had set up the Ifa Institute in Atlanta where people were coming to see him.” The interaction culminated in Vandermeer’s initiation in Oyo State in 1999, adding that when he got involved, his mission was to use Ifa “to get the kind of spiritual balance and guide  that I need to navigate the challenges of life.”

But as fate would have it, his destiny decided otherwise. He soon became a full scale Ifa diviner, though with a difference. One unique difference between Ifa diviners in the US like Vandermeer and Nigeria is that they have paid jobs through which they fend for their families. In addition to being an Ifa priest, Vandermeer is a senior lecturer in the Department of African American Studies at the University of Massachusetts, Boston, and he is currently working towards his doctorate degree.

Like adherents of Islam and Christianity who observe their morning prayers before leaving the house, Vandermeer begins his day chanting Ifa verses, odus and ancestral chants for Egungun and throwing kolanuts before Esu. The essence is for him to have an idea how the day would be and determine what his schedule should look like. “If  it is caution and I don’t have to go out, I will stay indoors. If I have to, I will be cautious,” Vandermeer said.

So why would an educated, widely travelled African American chose to become an Ifa priest? Vandermeer says before embracing Ifa religion, he had developed a sense of himself as a descendant of Africa. “So it made sense to me that my spiritual system should be one that related to Africa.”

Ifa divination system and religion associated with Yoruba history is common in most cultures in West Africa and later Cuba, Brazil, Haiti, Jamaica, Colombia, Mexico and Venezuela due to the trans-Atlantic slave trade. The divination system uses an extensive corpus of texts and mathematical formula interpreted by the diviner. The Ifa literary corpus, known as Odu, is made up of 256 parts subdivided into verses called Ese. In the US, Abimbola, a professor of Yoruba language and literature, has given it so much prominence through his works, especially in the last two decades. Its philosophy centres around belief in Olodumare, the Yoruba high God, humility and honesty. Statistics from the Council for Parliament of the World Religions estimate that Ifa religion has over 70 million followers in Africa and the Americas.

According to Yoruba myth, Ifa is one of the 401 divinities sent to the cradle of Yoruba civilisation in Ile Ife, Osun State, by Olodumare to carry out specific tasks on earth. Some of the other divinities are Ogun who is in charge of hunting, war and iron implements; Esu, the universal policeman and keeper of Ase; and Ifa who is in charge of divination because of its mental capacity. This role earned Ifa the nickname Akerefinusogbon (the young one whose mind is full of wisdom).