OYOTUNJI 000000!--A YORUBA VILLAGE IN SOUTH CAROLINA!-FROM VICE.COM

from vice.com

An Oral History of the West African Village That Has Been in South Carolina for Four Decades

July 30, 2015

By Christopher Kilbourn

The king on his throne. All photos of an ancestor worship ceremony at Oyotunji by the author

At the tail end of the 1960s, elements within the Civil Rights Movement were having a debate about how the African-American community at large should confront the hostile and ignorant society in which it resided. Some advocated peaceful assimilation; others raised the idea of a violent, apocalyptic insurrection. And a few suggested moving to rural South Carolina, establishing a polygamous religious commune, and creating an outpost of West African culture through regular acts of ancestor worship, animal sacrifice, and other rituals.

On VICE News: Road-Tripping to South Carolina With the 'New' KKK

This outpost is the Oyotunji African Village, founded by a man known as His Royal Highness Oba Oseijeman Adefunmi I, who in the late 60s was inspired to leave New York, purchase land in the Deep South, and establish a community born from the idea that black empowerment needed to focus on culture, not just economic independence.
More than four decades later, Oyotunji persists, providing a pleasant setting for converts to the Yoruba religion to live out their spiritual lives. According to a 1995 Essence article, the village had about 120 inhabitants during its mid-70s peak. Today there are around 25, and leadership has passed on to one of its founder's 22 children, Oba Adejuyigbe Adefunmi II.
Tourists are welcome to stop by the village, which sits about 50 miles outside of Charleston, near Sheldon, South Carolina. Its atmosphere of inclusiveness and cultural education stands in stark contrast to the recent church shooting and the intense fallout that resulted nearby. By all accounts, Oyotunji is not just a place to live, but a way of life: Its inhabitants construct temples to the pantheon of spirits called Orishas and pray to them every day. Curious about the life and perspectives of these traditionalist back-to-the-landers, I traveled to Sheldon, South Carolina, to learn a bit about Yoruba culture and gain some insight into Southern life in 2015. This is what they said:

Continued below.

COMING TO OYOTUNJI

Olayatan: I came for a two-week visit on August 6, 1978. So I guess that's coming up on 37 years.

Olapeju, wife of the king: It's been about a year [since I moved here]. My aunt was married to the first kabiyesi ("king"—literally, "the one who no one opposes"), so my family's been familiar with the culture for a while. I started coming down with her a couple years back, and I fell in love with the culture, my daughter fell in love with the culture. So we decided last year to go ahead and make the plunge. I don't know if I'll be here forever, but I definitely am enjoying the time that I'm here right now.

Akintobe: I heard about it in Germany. I saw a little article in the military newspaper about a voodoo village in Beaufort [County], South Carolina, and it showed the king sitting on a throne that perhaps he made himself. I cut that picture out and placed it above my bed, and that's where it stayed until I left, 30 months later. I don't know why I did it. I was compelled by a spiritual force that I couldn't resist. And I came here in December of '74.

Ofalaya: I met the Oba in 2003 in Key West, Florida, when he was a prince. He came to Key West to declare one of the beaches there an African burial ground. And I met him there. And I did some volunteering at the African museum in Key West that he helped start. My sister's a Shango priest, so I wasn't unfamiliar with the culture.

Oba Adejuyigbe Adefunmi II : I was born in Oyotunji in 1976, right here on the property during a storm. And the house blew over. I remember my dad telling me the story. And he came over there to rush and see if my mother was OK, and he said she came crawling out holding me from under some boards.

Olpeju

Olapeju: It's not so much a religion as it is a culture or a lifestyle. We're here to honor our ancestors. That means I honor yours. That means you honor mine. It's a different dynamic than just going to church on Sunday and praying.

Akintobe: This is not part-time. Full-time. Twenty-five hours, daily. Sleeping, wake up, it's part of you. Go to bed saying certain things, wake up saying certain things. God, God. To the Orishas, to the ancestors, daily. All day long. Praising. Giving thanks.

Ofalaya: After you go through your initiation, you spend three weeks with your Iyalosa. She would be your godparent who helps you go through the transition of becoming initiated, becoming a priest or a priestess. You have your physical parent or your biological parent, and then you have your spiritual parents. One of the Orisha will be your father and one of them will be your mother.

I have done things that I never thought I would ever do. Like chopping wood, and not using a cell phone.

You get up at 5 AM and spend your time with yourself, really. Because after that, until the time you go to bed, your time belongs to everyone, and whatever needs to be done in the nation. The farming is a big thing that we work together on. Someone weeds, someone waters, someone plants.

Olapeju: I have a job outside, so I also have to take into account my work schedule. But I assist with the raking.

Olayatan: Tours come. They invite us out for lectures and presentations. We do cultural events. We have priests who do consultations for people. They read them and give them counseling.

Akintobe: I'm a priest. I've been initiated into the secret mysteries of Obatala, who is my father. That was 1978. And then I went to the high priest of Ifa in West Africa in 1992. And I went back again in 2000 to finish it up. So I'm Babaaláwo, "father of secrets."

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HOW OYOTUNJI WAS FOUNDED

Oba: My dad, he was born in '28. He was about 41, 42 [when Oyotunji was built.] He had two temples in New York, and he was the first African American to tell black people that, Look, not only are you African, you have a culture and a religion, and here it is.

He said he was nothing until he ran into African culture. He was bumping in the dark.

Akintobe: He was a man who loved art; he was a commercial artist. And he was a dancer with the Katherine Dunham dance troupe. That's when he toured Egypt and Cuba, and that's when he really got into African culture. His mother and father came up under Marcus Garvey, so he came up early.

Oba: He married a European woman, a Dutch woman in Greenwich Village. It was with [her] that he became radicalized as this African traditionalist. And he said it was because he noticed she had a culture: They had holidays and pageantry and all these sorts of things, and my dad was very interested in it.

And he asked her one time, and she said, "You don't have a culture. You don't have a religion. Because you have not been taught it." And she opened him up. And she introduced him to a black nationalist, Harvey. And Harvey started taking him from Greenwich Village to Harlem, and that's when it all started. He got fired up at those rallies and speeches. Malcolm X and Stokely Carmichael and Martin Luther King.

He said, "We've got to get out of the city. We've got to do like they're doing in Africa. If we're nationalists, we've got to have a land, at least." And so he started to design it. They chipped in and bought this property here for about $500. They began to build temples and institutions first. This is back in the 60s.

Akintobe: We didn't have any electricity, we didn't have any indoor plumbing. [This was] back in the 70s to '85. We were so into studying, the initiations, learning as much as we could get our hands on, and trying to absorb and prepare ourselves as custodians of the culture. This place was like a university.

Olayatan: Kerosene lamps, outhouses. Wood stoves for cooking and heating. I loved the energy then. And I love the energy now, but it's—that's the way it was then.

Oba: The early people who came here were not builders. They were PhDs and doctors and stuff. So they were building [houses] out of cover sheets and pallets. Not that you can't build out of pallets, but you've got to do it right. And so the houses leaked, and they got blown over by storms.

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Watch: 'Triple Hate,' our documentary on the KKK

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Olayatan: Technology came in. We got electricity. We got running water. But somewhere between Nixon and Reagan, somewhere in there was a kind of turnaround. The economy started getting tougher. Folks were struggling for money. Then the oracle says, OK, things are going to get really tough. And we didn't know what it meant at that time, but [he was predicting] the onslaught of drugs and crime in the city.

So he says, "OK, the priests have to go out and form other communities like this." So [since the 80s,] they have [established] shrines and temples in various parts of the country and priests that administer to the community. To try and let them know you can reconnect with your ancestors and your ancestors' culture.

Oba Adejuyigbe Adefunmi II

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THE NEW KING

Oba: [In 2005], I was traveling across Seven Mile Bridge [in Florida] one day and I got a call from one of the elders. He said, "I've got to tell you something. Where are you?" I said, "I'm over the water, the best time. Going over a long bridge." He said, "Oh, perfect." And then he told me: "Your father passed away this morning."

I couldn't even hear what he was saying before my mind was racing. And I came back to Oyotunji, and I went through three months of traditional preparation for coronation. It was the second time that we had done it on North American soil. For three months, we had to wear black and be secluded in the room. And we had to serve all of the chiefs.

They would ask the spirits, How are we doing? Each day, they would check in with the divinities, with the oracle, to find out exactly what's needed. How's my spirit? How's my character? And so I had to feed them and cook for them every time. Basically, they had to demean my character all the way down from whatever I had picked up in my life.

I remember the day after coronation, people were saying, "That didn't even look like you out there!" It had really changed me.

And so I remember what I always said to myself was, I want to be able to build Oyotunji. I want to be able to build it standard, nice.

So we've remodeled this temple here. We did the Oshun temple down the road. We built the bathroom, the shower house, the media center. All of these buildings here, we remodeled them. Redid the palace. We redo the road twice a year. We've been able to just continue to just build and build and build. The only thing we didn't redo is my house.

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RACE IN THE SOUTH

Akintobe: That young man [Dylann Roof, the Charleston shooter] just turned 21. To have such hate. And why? Not once did he say that he was discriminated against. Nothing of that sort. [It was] something that he just felt. That he could do it, get away with it.

Can the stroke of a pen change the heart of our enemy? That's the question I always ask. Passing a law? Taking down the Confederate flag? How do you change the heart of our enemy?

Oba: America never went into repair mode. It's always been, put a new tablecloth on the dirty table because we've got guests. And over time, you're going to smell it coming through the cloth.

After the Civil War was won, the Klan would still carry the Confederate flag. So our ancestors got used to seeing the Confederate flag not as a symbol of culture and heritage. Fuck no. They rode in and burned your house down. That was your visual. If they came in and grew gardens to help poor black people, it'd be a different thing. But they didn't. It was always segregation.

If you steal a person's culture, then you stole the most precious thing that they have. –Olayatan

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WHY CULTURE MATTERS

Olayatan: It's important for us as Africans in America to know who we are, so we can know what we have brought to the world, and what we can bring to the world in the future.

If you steal a person's culture, then you stole the most precious thing that they have. Because that culture talks about history, contribution, and all of those things that we as a species stick our chests out about. What my people have done. What my ancestors have done. And basically, Africans in America have been told, You ain't done nothing. You ain't nothing, you ain't done nothing, you're not gonna do nothing. Because you never did anything. And so many of our people have bought into that. And that's a tragedy and it's a sickness.

Oba: Europeans have to know this culture, especially in America. You're talking about healing. Taking the flag down and all these superficial things are not healing. Understanding each other's culture is healing.

Akintobe: Oyotunji is the solution. Something was missing, but I found it here. When you know thyself, nobody can say anything to you. Once you know thyself, if you know your historical past, your ancestral past, what your people were, what they did before captivity... You walk with your shoulders and your head high. You've got nothing to be ashamed about and everything to be proud of. Everything.

Christopher Kilbourn is a freelancer in New Orleans. Follow him on Twitter.

Topics: Oyotunji, South Carolina, Yoruba, Oba Oseijem

YORUBA!-SAVE YORUBA LANGUAGE-BUT FIRST STOP MIXING ENGLISH IN YORUBA FILMS! -SAVING ALL AFRICAN LANGUAGES THRU FILM-FROM VANGUARD NEWSPAPER,NIGERIA

FROM vanguardngr.com

Film to the rescue of indigenous languages

The Arts Oct 17, 2010 For Nigerian indigenous languages to be preserved and saved from total extinction, there is an imperative need for the government at all levels to encourage the production of indigenous language films reports, Benjamin Njoku.
This was the observation of over 300 film makers, scriptwriters, directors, stakeholders and industry operators who gathered in Akure, Ondo State capital last week, for this year’s edition of the annual, Behind the Screen festival of indigenous languages, now known as, Festival of Indigenous African Language Films.
The festival, which held between October 3 and October 9, at Owena International Hotels, Akure saw the participants drawn from different parts of the country urging the government at all levels to consider the option of giving Nigeria’s indigenous language films a boost as a way of preserving such languages as well as saving them from total extinction as presently being threatened by global statistics.
They also asked the government to begin to pay more attention to the motion picture industry, which according to them, has not only brought global recognition to the country but also, is capable of becoming a veritable alternative to oil economy.
Professor Tunde Babwale, Director-General of the Centre for Black and African Arts and Civilisation(CBAAC) who chaired the occasion posited the need for government to support film makers, noting that indigenous language films are critical to the development of any nation. He lamented the steady relegation of these languages, arguing that out of the 500 languages spoken across the ethnic groups in the country, only 84 of them are still in use.
Arguing further, Professor Babawale whose parastatal co-sponsored the event said the use of African indigenous films is also a means of propagating African tradition, culture and norms. “Promotion of our indigenous languages are the manual of development. There is no better way to market our country and our culture other than through film. It has a two fold ways of communication ; audio and visual.” he emphasized.
On CBAAC partnership with Remdel, organisers of the annual festival, Professor Babawale said, Remdel shares similar vision with CBAAC. “This is not our first partnership we were part of the festival last year. We want to use this film festival to project African culture and we also want to use it as an opportunity to show that our language can help in enriching our faith. We believe that there no better way to preserving our cultural heritage than the instrumentality of langauge.”Professor Babawale further stressed.
In her good will message, the wife of the Ondo State Governor, Mrs Olukemi Mimko, while commending the organisers of the 6-day event for taking the lead and for the bold step which would also bring the state to limelight urged parents and guidance to endeavour to teach their wards how to speak the local languages. She observed that despite the fact that “film serves as a medium of correcting societal ills, communication, relaxation and dissemination of information, it has equally found its way into our very existence such that the politicians are now using the film makers to achieve their political ambition.”
The First Lady however took a swipe at the state of th industry, lamenting the rate at which producers churn out obscene movies.
She observed that most of the movies are gradually eroding the rich cultural values of Nigeria, most especially the Yoruba culture, which she said, lays much emphasis on moderate dressing.
While advocating the need for the film makers to control the content of their works, the First Lady said obscene scenes are gradually eroding the qualitative works of the industry. She therefore urged the relevant agency saddled with the content check of the films to put in place a strict measure that would sanction producers who shoot obscene films.
Delivering a lecture entitled “Like Father Like Son: Random Reflection on Yoruba Society and the Yoruba Video-Films”, Professor Wole Ogundele, the Director-General of the Centre for Culture and International Understanding, Osogbo, Osun State, concluded that given the danger of extinction faced by African indigenous languages, any positive attempts and strategies to ensure their survival and preservation should be encouraged without any further delay.
According to the erudite Professor, who has a wide and varied knowledge of the film industry, in the absence of a vigorous language literature, the video-film remains one artistic form that is keeping the language alive in the creative and intellectual arena.
“Many African languages, including Yoruba which is spoken by millions of people along the West African coast, are already in danger and will become a threatened language.If it is the indigenous language films that will rescue our languages from that tragedy of eventual extinction, then, rather than crucify the film makers, let us salute them.” he concluded.
Other keynote speakers at the event, included Femi Odugbemi, film maker, who spoke on “The future of Film Distribution in Nigeria”, Mr Dele Oni, General Manager, NTA, Akure, Mr Dele Odule, ANCOP president,Mr Alex Eyengho, Mr Greg Odutayo, president, NANTAP and Dr. Gbemisola Adeoti, who also delivered paper on, “Advancing the role of Women in Politics using the film medium” amongst other speakers.